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Good Work in High Fantasy (WisCon 31 panel) - Revision history
2026-04-15T01:31:51Z
Revision history for this page on the wiki
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Lquilter: links
2007-05-31T06:15:03Z
<p>links</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:15, 30 May 2007</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>How do writers work within the genre expectations of traditional high fantasy? What limitations do they face, and how do they challenge and stretch those limits? It's possible to write good fiction without churning out yet another young-man-in-a-remote-village-discovers-his-hidden-destiny plot, isn't it? Let's explore inspirations and ideas for this popular but critically suspect genre.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>How do writers work within the genre expectations of traditional high fantasy? What limitations do they face, and how do they challenge and stretch those limits? It's possible to write good fiction without churning out yet another young-man-in-a-remote-village-discovers-his-hidden-destiny plot, isn't it? Let's explore inspirations and ideas for this popular but critically suspect genre.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>M: Delia Sherman, Patricia Bray, Kelly D. Link, Sarah Monette, Jennifer W. Spirko</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>M: <ins style="font-weight: bold; text-decoration: none;">[[</ins>Delia Sherman<ins style="font-weight: bold; text-decoration: none;">]]</ins>, <ins style="font-weight: bold; text-decoration: none;">[[</ins>Patricia Bray<ins style="font-weight: bold; text-decoration: none;">]]</ins>, <ins style="font-weight: bold; text-decoration: none;">[[</ins>Kelly D. Link<ins style="font-weight: bold; text-decoration: none;">]]</ins>, <ins style="font-weight: bold; text-decoration: none;">[[</ins>Sarah Monette<ins style="font-weight: bold; text-decoration: none;">]]</ins>, <ins style="font-weight: bold; text-decoration: none;">[[</ins>Jennifer W. Spirko<ins style="font-weight: bold; text-decoration: none;">]]</ins></div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">==Reports, notes, etc.==</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* [http://firecat.livejournal.com/470145.html firecat]</ins></div></td></tr>
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Lquilter
https://wiki.feministsf.net/index.php?title=Good_Work_in_High_Fantasy_(WisCon_31_panel)&diff=23339&oldid=prev
Lquilter: cat
2007-05-30T22:28:49Z
<p>cat</p>
<p><b>New page</b></p><div>[[Good Work in High Fantasy (WisCon 31 panel)|183 How To Do Good Work in High Fantasy]]<br />
<br />
The Craft And Business of Writing SF&F•Capitol A• Sunday, 4:00-5:15 p.m.<br />
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How do writers work within the genre expectations of traditional high fantasy? What limitations do they face, and how do they challenge and stretch those limits? It's possible to write good fiction without churning out yet another young-man-in-a-remote-village-discovers-his-hidden-destiny plot, isn't it? Let's explore inspirations and ideas for this popular but critically suspect genre.<br />
<br />
M: Delia Sherman, Patricia Bray, Kelly D. Link, Sarah Monette, Jennifer W. Spirko<br />
<br />
[[Category:WisCon 31 panels]]</div>
Lquilter