https://wiki.feministsf.net/index.php?action=history&feed=atom&title=Scholarship_and_criticism_on_Jewelle_Gomez
Scholarship and criticism on Jewelle Gomez - Revision history
2026-04-15T01:07:00Z
Revision history for this page on the wiki
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Lquilter: moved List of scholarship and criticism on Jewelle Gomez to Scholarship and criticism on Jewelle Gomez
2010-11-14T03:31:47Z
<p>moved <a href="/index.php?title=List_of_scholarship_and_criticism_on_Jewelle_Gomez" class="mw-redirect" title="List of scholarship and criticism on Jewelle Gomez">List of scholarship and criticism on Jewelle Gomez</a> to <a href="/index.php?title=Scholarship_and_criticism_on_Jewelle_Gomez" title="Scholarship and criticism on Jewelle Gomez">Scholarship and criticism on Jewelle Gomez</a></p>
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<td colspan="1" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:31, 13 November 2010</td>
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Lquilter: {{femSFscholarship}}
2010-11-14T03:31:26Z
<p>{{femSFscholarship}}</p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>; [[E. Brinks]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>; [[E. Brinks]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* "Unfamiliar Ties: Lesbian Constructions of Home and Family in Jeanette Winterson's Oranges Are Not the Only Fruit and Jewelle Gomez's The Gilda Stories", ''Homemaking: Women Writers and the Politics and …''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* "Unfamiliar Ties: Lesbian Constructions of Home and Family in Jeanette Winterson's Oranges Are Not the Only Fruit and Jewelle Gomez's The Gilda Stories", ''Homemaking: Women Writers and the Politics and …''</div></td></tr>
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Lquilter: cats
2010-11-10T20:05:57Z
<p>cats</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 13:05, 10 November 2010</td>
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Lquilter
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Lquilter: helford
2010-11-08T21:06:43Z
<p>helford</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:06, 8 November 2010</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Blood Read: The Vampire as Metaphor in Contemporary Culture (1997, Univ. of Pennsylvania Press); ISBN 0812216288. Although not explicitly focused on gender, this collection of essays includes essays on Suzy McKee Charnas and Jewelle Gomez, among others. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Blood Read: The Vampire as Metaphor in Contemporary Culture (1997, Univ. of Pennsylvania Press); ISBN 0812216288. Although not explicitly focused on gender, this collection of essays includes essays on Suzy McKee Charnas and Jewelle Gomez, among others. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">; [[Elyce Rae Helford]].</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* "The Future of Political Community: Race, Ethnicity, and Class Privilege in Novels by Piercy, Gomez, and Misha", ''Utopian Studies'', v.12, n.2 (2001), pp.124-142.</ins></div></td></tr>
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Lquilter
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Lquilter: e. brinks
2010-11-08T20:55:46Z
<p>e. brinks</p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>; <del style="font-weight: bold; text-decoration: none;">Gordon</del>, Joan and Veronica Hollinger, editors. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>; <ins style="font-weight: bold; text-decoration: none;">[[E. Brinks]]</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* "Unfamiliar Ties: Lesbian Constructions of Home and Family in Jeanette Winterson's Oranges Are Not the Only Fruit and Jewelle Gomez's The Gilda Stories"</ins>, <ins style="font-weight: bold; text-decoration: none;">''Homemaking: Women Writers and the Politics and …''</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">; [[</ins>Joan <ins style="font-weight: bold; text-decoration: none;">Gordon]] </ins> and <ins style="font-weight: bold; text-decoration: none;">[[</ins>Veronica Hollinger<ins style="font-weight: bold; text-decoration: none;">]]</ins>, editors. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Blood Read: The Vampire as Metaphor in Contemporary Culture (1997, Univ. of Pennsylvania Press); ISBN 0812216288. Although not explicitly focused on gender, this collection of essays includes essays on Suzy McKee Charnas and Jewelle Gomez, among others. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Blood Read: The Vampire as Metaphor in Contemporary Culture (1997, Univ. of Pennsylvania Press); ISBN 0812216288. Although not explicitly focused on gender, this collection of essays includes essays on Suzy McKee Charnas and Jewelle Gomez, among others. </div></td></tr>
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Lquilter
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Lquilter: gomez
2010-11-07T21:20:09Z
<p>gomez</p>
<p><b>New page</b></p><div>; Gordon, Joan and Veronica Hollinger, editors. <br />
* Blood Read: The Vampire as Metaphor in Contemporary Culture (1997, Univ. of Pennsylvania Press); ISBN 0812216288. Although not explicitly focused on gender, this collection of essays includes essays on Suzy McKee Charnas and Jewelle Gomez, among others. <br />
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{{DEFAULTSORT:Gomez}}<br />
[[category:Lists]]<br />
[[category:SF studies]]<br />
[[category:Feminist SF studies]]<br />
[[category:Feminist SF studies on particular authors]]</div>
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