Sheri S. Tepper - Revision history

Lquilter: cats

2010-04-15T17:29:29Z

cats

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	[[category:1929 births]]		[[category:1929 births]]
	[[Category:Living people]]		[[Category:Living people]]
	[[~~Category~~:Writers]]		[[category:Writers by name]]
			[[category:Women writers by name]]
	[[Category:WisCon Guests of Honor]]		[[Category:WisCon Guests of Honor]]

Lquilter: Reverted edits by 213.108.56.29 (Talk) to last revision by Lquilter

2010-01-05T20:51:33Z

Reverted edits by 213.108.56.29 (Talk) to last revision by Lquilter

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	Author of many novels (stand-alone and in series) that focus on feminist issues, sexism, and [[ecofeminism]]. She is well known for her SF works, including SF, fantasy, and horror, and often a blending of the three. Under her A.J. Orde and B.J. Oliphant pseudonyms she also writes mysteries.		Author of many novels (stand-alone and in series) that focus on feminist issues, sexism, and [[ecofeminism]]. She is well known for her SF works, including SF, fantasy, and horror, and often a blending of the three. Under her A.J. Orde and B.J. Oliphant pseudonyms she also writes mysteries.

	~~nOnj60 <~~a ~~href="http~~:~~//fguckivistyy~~.~~com/">fguckivistyy</a>~~, ~~[url=http://gwxlmktlwjug~~.~~com/]gwxlmktlwjug[/url]~~, ~~[link=http://lkvkflabxxgo~~.~~com/]lkvkflabxxgo[/link]~~, ~~http://sxwjqsjhjuej~~.~~com/~~		==Names==
			Tepper has published a number of works under various [[initialisms]]: A. J. Orde, E. E. Horlak, and B. J. Oliphant. She has also published work, very early in her career, as Sheri S. Eberhart (her name before marriage, perhaps?).

	==Discussion==		==Discussion==

213.108.56.29: /* Names */

2010-01-05T16:55:33Z

Names

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	Author of many novels (stand-alone and in series) that focus on feminist issues, sexism, and [[ecofeminism]]. She is well known for her SF works, including SF, fantasy, and horror, and often a blending of the three. Under her A.J. Orde and B.J. Oliphant pseudonyms she also writes mysteries.		Author of many novels (stand-alone and in series) that focus on feminist issues, sexism, and [[ecofeminism]]. She is well known for her SF works, including SF, fantasy, and horror, and often a blending of the three. Under her A.J. Orde and B.J. Oliphant pseudonyms she also writes mysteries.

	=~~=Names==~~		nOnj60 <a href="http://fguckivistyy.com/">fguckivistyy</a>, [url=http://gwxlmktlwjug.com/]gwxlmktlwjug[/url], [link=http://lkvkflabxxgo.com/]lkvkflabxxgo[/link], http://sxwjqsjhjuej.com/
	~~Tepper has published~~ a ~~number of works under various~~ [[~~initialisms]~~]: A. ~~J. Orde~~, ~~E. E. Horlak, and B. J. Oliphant. She has also published work, very early in her career, as Sheri S. Eberhart (her name before marriage, perhaps?)~~.

	==Discussion==		==Discussion==

Lquilter: Reverted edits by 158.64.14.22 (Talk) to last version by Lquilter

2009-01-03T23:57:21Z

Reverted edits by 158.64.14.22 (Talk) to last version by Lquilter

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	~~tapasc4tmo~~
	Author of many novels (stand-alone and in series) that focus on feminist issues, sexism, and [[ecofeminism]]. She is well known for her SF works, including SF, fantasy, and horror, and often a blending of the three. Under her A.J. Orde and B.J. Oliphant pseudonyms she also writes mysteries.		Author of many novels (stand-alone and in series) that focus on feminist issues, sexism, and [[ecofeminism]]. She is well known for her SF works, including SF, fantasy, and horror, and often a blending of the three. Under her A.J. Orde and B.J. Oliphant pseudonyms she also writes mysteries.

158.64.14.22: linocolitra

2009-01-03T20:24:03Z

linocolitra

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			tapasc4tmo
	Author of many novels (stand-alone and in series) that focus on feminist issues, sexism, and [[ecofeminism]]. She is well known for her SF works, including SF, fantasy, and horror, and often a blending of the three. Under her A.J. Orde and B.J. Oliphant pseudonyms she also writes mysteries.		Author of many novels (stand-alone and in series) that focus on feminist issues, sexism, and [[ecofeminism]]. She is well known for her SF works, including SF, fantasy, and horror, and often a blending of the three. Under her A.J. Orde and B.J. Oliphant pseudonyms she also writes mysteries.

Lquilter: /* Works */ and

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Works: and

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	* ''[[A Plague of Angels]]''. 1993.		* ''[[A Plague of Angels]]''. 1993.
	* ''[[Shadow's End]]''. 1994.		* ''[[Shadow's End]]''. 1994.
	* ''[[Gibbon's Decline & Fall]]''. New York: Bantam / Spectra, 1996.		* ''[[Gibbon's Decline and Fall]]''. New York: Bantam / Spectra, 1996.
	* ''[[Family Tree]]'' 1997.		* ''[[Family Tree]]'' 1997.
	* ''[[Six Moon Dance]]''. 1998.		* ''[[Six Moon Dance]]''. 1998.

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Works: companions

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	* ''[[The Fresco]]''. 2000.		* ''[[The Fresco]]''. 2000.
	* ''[[The Visitor]]''. 2002.		* ''[[The Visitor]]''. 2002.
			* ''[[The Companions]]''. 2003.
	* ''[[The Margarets]]'' (2007 forthcoming)		* ''[[The Margarets]]'' (2007 forthcoming)
	* ''[[Still Life]]'' (1987) (as E. E. Horlak)		* ''[[Still Life]]'' (1987) (as E. E. Horlak)

Lquilter: /* Works */ the margarets

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Works: the margarets

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	* ''[[The Fresco]]''. 2000.		* ''[[The Fresco]]''. 2000.
	* ''[[The Visitor]]''. 2002.		* ''[[The Visitor]]''. 2002.
			* ''[[The Margarets]]'' (2007 forthcoming)
	* ''[[Still Life]]'' (1987) (as E. E. Horlak)		* ''[[Still Life]]'' (1987) (as E. E. Horlak)

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	* Locus. August 1991, pp. 4, 69.		* Locus. August 1991, pp. 4, 69.
	* Locus. July 1994, v. 33, no. 1, issue #402. pp. 4, 80-81.		* Locus. July 1994, v. 33, no. 1, issue #402. pp. 4, 80-81.


	==Awards & honors==		==Awards & honors==

Lquilter: /* Discussion */ link

2007-04-26T03:54:11Z

Discussion: link

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	Much of Tepper's work deals in some respect with feminist issues. ''[[The Gate to Women's Country]]'' most directly deals with these issues however. A post-holocaust society has been designed by, and is controlled by, women. The protagonist of this story is a young woman throughout most of the story who has interactions both with the male society outside the gate to "women's country" and a Biblically fundamentalist society outside the territory controlled by the women's cities. The women's society has adopted a re-telling of the Iliad (from the women's perspectives) as one of it's fundamental myths. Tepper has been fairly successful in recent years and this novel has generated quite a bit of controversy in science fiction circles for its biological determinism and the ethical decisions made by the women who control the society.		Much of Tepper's work deals in some respect with feminist issues. ''[[The Gate to Women's Country]]'' most directly deals with these issues however. A post-holocaust society has been designed by, and is controlled by, women. The protagonist of this story is a young woman throughout most of the story who has interactions both with the male society outside the gate to "women's country" and a Biblically fundamentalist society outside the territory controlled by the women's cities. The women's society has adopted a re-telling of the Iliad (from the women's perspectives) as one of it's fundamental myths. Tepper has been fairly successful in recent years and this novel has generated quite a bit of controversy in science fiction circles for its biological determinism and the ethical decisions made by the women who control the society.

	Feminist strains run through almost all of Tepper's work, however: strong women people her books, and in the societies she envisions, she regularly explores the role of women in patriarchal societies. A dystopian theocratic patriarchal society (a far-future evolution of fundamentalist Christianity and Islam) is a major focus of ''[[Raising the Stones]]''; and another dystopian patriarchal society also is depicted in ''[[Sideshow (novel)\|Sideshow]]''. Sexism and the subjugation of women, particularly as a function of religion (Catholicism), also are an important factor in ''[[Grass (novel)\|Grass]]''. In her earlier works ([[Blood Heritage]], [[The Bones]], [[The Revenants]], [[SouthShore]] and [[NorthShore]]), elements of her interest in sexism and religion appear but are not fully developed. In her [[[True Game series]] and the [[Marianne series]] these themes start to play a more important role in the plots, and in her recent fiction these themes become really important to the plots.		Feminist strains run through almost all of Tepper's work, however: strong women people her books, and in the societies she envisions, she regularly explores the role of women in patriarchal societies. A dystopian theocratic patriarchal society (a far-future evolution of fundamentalist Christianity and Islam) is a major focus of ''[[Raising the Stones]]''; and another dystopian patriarchal society also is depicted in ''[[Sideshow (novel)\|Sideshow]]''. Sexism and the subjugation of women, particularly as a function of religion (Catholicism), also are an important factor in ''[[Grass (novel)\|Grass]]''. In her earlier works ([[Blood Heritage]], [[The Bones]], [[The Revenants]], [[SouthShore]] and [[NorthShore]]), elements of her interest in sexism and religion appear but are not fully developed. In her [[True Game series]] and the [[Marianne series]] these themes start to play a more important role in the plots, and in her recent fiction these themes become really important to the plots.

	==Works==		==Works==

Lquilter: notes

2007-04-26T03:39:46Z

notes

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	==Names==		==Names==
	Tepper has published a number of works under various [[initialisms]]: A. J. Orde, E. E. Horlak, and B. J. Oliphant. She has also published work, very early in her career, as Sheri S. Eberhart (her name before marriage, perhaps?).		Tepper has published a number of works under various [[initialisms]]: A. J. Orde, E. E. Horlak, and B. J. Oliphant. She has also published work, very early in her career, as Sheri S. Eberhart (her name before marriage, perhaps?).

			==Discussion==
			Much of Tepper's work deals in some respect with feminist issues. ''[[The Gate to Women's Country]]'' most directly deals with these issues however. A post-holocaust society has been designed by, and is controlled by, women. The protagonist of this story is a young woman throughout most of the story who has interactions both with the male society outside the gate to "women's country" and a Biblically fundamentalist society outside the territory controlled by the women's cities. The women's society has adopted a re-telling of the Iliad (from the women's perspectives) as one of it's fundamental myths. Tepper has been fairly successful in recent years and this novel has generated quite a bit of controversy in science fiction circles for its biological determinism and the ethical decisions made by the women who control the society.

			Feminist strains run through almost all of Tepper's work, however: strong women people her books, and in the societies she envisions, she regularly explores the role of women in patriarchal societies. A dystopian theocratic patriarchal society (a far-future evolution of fundamentalist Christianity and Islam) is a major focus of ''[[Raising the Stones]]''; and another dystopian patriarchal society also is depicted in ''[[Sideshow (novel)\|Sideshow]]''. Sexism and the subjugation of women, particularly as a function of religion (Catholicism), also are an important factor in ''[[Grass (novel)\|Grass]]''. In her earlier works ([[Blood Heritage]], [[The Bones]], [[The Revenants]], [[SouthShore]] and [[NorthShore]]), elements of her interest in sexism and religion appear but are not fully developed. In her [[[True Game series]] and the [[Marianne series]] these themes start to play a more important role in the plots, and in her recent fiction these themes become really important to the plots.

	==Works==		==Works==