Christianity in SF: Difference between revisions

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'''Christianity''' has been depicted in SF many, many times. Common uses include:  
'''Christianity''' has been depicted in SF many, many times. Common uses include:  


; '''Background Christianity'''
=='''Background Christianity==
: Any work that takes place in a setting analogous to an Earth setting in which Christianity is common may include Christianity and religious faith as part of the general background.  
: Any work that takes place in a setting analogous to an Earth setting in which Christianity is common may include Christianity and religious faith as part of the general background.  




; Christian [[allegories]] or [[metaphysics]]
==Christian [[allegories]] or [[metaphysics]]==
* [[C. S. Lewis]]' [[Narnia]] books)
* [[C. S. Lewis]]' [[Narnia]] books)


==Christianity as cultural mythology==


; Christianity as cultural mythology
===motifs, rituals, etc.===
 
Use of ideas popularly associated with Christianity, without particular religious perspectives;  
: Use of ideas popularly associated with Christianity, without particular religious perspectives;  
* the use of the cross to ward off [[vampire]]s)
* e.g., the use of the cross to ward off [[vampire]]s);
* [[exorcism]]s
* [[exorcism]]s;
* ''[[The Collector]]'' (selling soul to the devil)


===supernatural hierarchies===
: Use of Christian supernatural hierarchy in some fantasy creation that semi-parallels Christianity but is really different  
: Use of Christian supernatural hierarchy in some fantasy creation that semi-parallels Christianity but is really different  
* e.g., [[Anne Bishop]]'s [[Black Jewels series]];  
* [[Anne Bishop]]'s [[Black Jewels series]];  
* [[Lyda Morehouse]]'s ''[[Archangel Protocol]]'')
* [[Lyda Morehouse]]'s ''[[Archangel Protocol]]''
* ''[[Xena, Warrior Princess]]'' had multiple episodes that alluded to some [[Xenaverse]] version of Judaism, Christianity, and various Christian figures, e.g., the Archangel Michael


: This may include works which depict Christian eschatology as correct, but are simply more interested in depicting the struggle in a secular fashion
===christianity as story===
* e.g., ''[[The Stand]]'' by [[Stephen King]]  
: This may include works which depict or assume some Christian beliefs as correct, but are simply more interested in depicting the struggle in a secular fashion or exploring the story aspects. These works are about core beliefs in Christianity:
* ''[[The Stand]]'' by [[Stephen King]]  
* [[Anne Rice]]'s Jesus series


: It may also include works which depict (and assume) Christian beliefs are correct, but are simply interested in exploring the story aspects
* [[Anne Rice]]'s Jesus series


===SFnal explorations of christian events===
The work may be completely neutral about the core beliefs of Christianity (supernatural figures [[God]] and [[Jesus]]; supernatural features the [[soul]], [[heaven]], [[hell]]), but simply interested in the [[what if]] aspect of it.
* [[Arthur C. Clarke]]'s "The Star" (1955 short story) (Interstellar travelers arrive on a planet and discover that its sun went supernova, destroying its civilization, and that supernova was the "Star of Bethlehem", an aspect of Christian mythology around the birth of Jesus. The story is framed rather neutrally: It accepts the truth of the star, but not necessarily the supernatural claims around it. Christians might choose to believe that God chose to destroy the civilization to send a beacon to Earth's people about Jesus; alternatively, non-Christians might believe that the civilization died and was interpreted by Christians as a sign about Jesus. In the first interpretation, the story acts to consider deep questions about the nature of God, God's plans, the nature of evil (the ends justifying the means); in the second interpretation, the story may be read as a meditation on the interpretation of natural phenomena by primitive people, the nature of religion, the irony of religion. In either reading it may be read as a condemnation of God.)


''' [[retellings]] of Judeo-Christian stories'''
==[[retellings]] of Judeo-Christian stories==
*  (e.g., retellings of the Garden of Eve from [[Lilith]]'s perspective
These may be relatively literal retellings, such as a retelling of the Garden of Eve in the Book of Genesis from [[Lilith]]'s perspective.
* ''[[The Red Tent]]'' by [[Anita Diamant]]
* ''[[The Red Tent]]'' by [[Anita Diamant]]
* ''[[The Last Temptation of Christ]]'' by [[Nikos Kazantzakis]]); [[Anne Rice]]'s Jesus stories)
* ''[[The Last Temptation of Christ]]'' by [[Nikos Kazantzakis]]); [[Anne Rice]]'s Jesus stories)


They may also be transformations, as in, what if Jesus were a woman; what if God sent a second child to the modern era.
* [[Gorman Burchardt]], ''[[The Second Greatest Story Ever Told]]''
* [[James Morrow]], ''[[Only Begotten Daughter]]''
* [[Glenn Kleier]], ''[[The Last Day]]'' ("Jeza")


==Jesus versus Christianity==
There's a large number of stories focusing on "what if Jesus were alive today" -- he would be treated as insane, he would be persecuted, etc.
* ''Godspell'' (1973)


''' [[secret history]] of Christianity''' 
==[[secret history]] of Christianity==
: These stories may or may not include the supernatural as real. Numerous stories have imagined things like:
: These stories may or may not include the supernatural as real. Note that "secret histories" are necessarily a type of "retelling", insofar as they are telling a story that didn't happen. Numerous stories have imagined things like:
* Jesus' body being held and concealed by the Catholic Church ([[Elizabeth Peters]]' ''[[The Dead Sea Cipher]]'');  
* Jesus' body being held and concealed by the Catholic Church ([[Elizabeth Peters]]' ''[[The Dead Sea Cipher]]'');  
* Jesus' offspring (''[[The Da Vinci Code]]'' by [[Dan Brown]]);  
* Jesus' offspring (''[[The Da Vinci Code]]'' by [[Dan Brown]]);  
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'''Historical Christianity''' 
==Historical Christianity==
: Alternate histories in particular, and fantasy works set in times that are similar to historical Earth times (e.g., faux-medieval settings) often depict one or more historical variants of Christianity (e.g., Roman Catholicism) or events within Christianity (e.g., the [[Inquisition]])
: Alternate histories in particular, and fantasy works set in times that are similar to historical Earth times (e.g., faux-medieval settings) often depict one or more historical variants of Christianity (e.g., Roman Catholicism) or events within Christianity (e.g., the [[Inquisition]])
* Inquisition: [[Gael Baudino]] works; ''[[God's Fires]]'' by [[Patricia Anthony]]
* Inquisition: [[Gael Baudino]] works; ''[[God's Fires]]'' by [[Patricia Anthony]]
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'''Juxtapositions of Christianity and other religions'''
==Christianity and other religions==
Juxtapositions of Christianity and other religions:
: Critiques of Christianity
: Critiques of Christianity
* e.g., in opposition to female-oriented paganism in [[Starhawk]]'s ''[[The Fifth Sacred Thing]]''  
* e.g., in opposition to female-oriented paganism in [[Starhawk]]'s ''[[The Fifth Sacred Thing]]''  
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'''Christian dystopias'''
==Christian dystopias==
: Some Christian-like religion has created a dystopian society
: Some Christian-like religion has created a dystopian society. See [[Christian dystopias and villains]].
* [[Margaret Atwood]]'s ''[[The Handmaid's Tale]]'' is likeliest the most famous of these
* [[Margaret Atwood]]'s ''[[The Handmaid's Tale]]'' is likeliest the most famous of these
* [[Esther M. Friesner]]'s ''[[The Psalms of Herod]]''
* [[Esther M. Friesner]]'s ''[[The Psalms of Herod]]''
* [[Sheri S. Tepper]]'s ''[[The Gate to Women's Country]]'').
* [[Sheri S. Tepper]]'s ''[[The Gate to Women's Country]]'').
* See [[Christian dystopias and villains]]




'''Satires:'''
 
==Satires==
* [[James Morrow]]'s entire oeuvre
* [[James Morrow]]'s entire oeuvre
==Christians institutions in society==
: The depiction of Christians or Christian institutions acting in society--no real commentary on the validity or falseness of Christian ideas.
* ''[[A Canticle for Leibowitz]]'' by [[Walter M. Miller, Jr.]]
==Particular Christians==
: Christianity may often be represented by a particular character who is a Christian. For instance, a sexually repressed Christian, in juxtaposition with a free-wheeling non-Christian. This sort of use can occur in conjunction with almost any of the above uses of Christianity.
: Christians may also just be characters in works that have nothing to do with Christianity--e.g., a monk investigating a mystery.
: See [[Christian dystopias and villains]].


[[Category:Religion themes]]
[[Category:Religion themes]]
[[category:Themes and tropes by name]]

Latest revision as of 10:03, 7 June 2010

Christianity has been depicted in SF many, many times. Common uses include:

Background Christianity

Any work that takes place in a setting analogous to an Earth setting in which Christianity is common may include Christianity and religious faith as part of the general background.


Christian allegories or metaphysics

Christianity as cultural mythology

motifs, rituals, etc.

Use of ideas popularly associated with Christianity, without particular religious perspectives;

supernatural hierarchies

Use of Christian supernatural hierarchy in some fantasy creation that semi-parallels Christianity but is really different

christianity as story

This may include works which depict or assume some Christian beliefs as correct, but are simply more interested in depicting the struggle in a secular fashion or exploring the story aspects. These works are about core beliefs in Christianity:


SFnal explorations of christian events

The work may be completely neutral about the core beliefs of Christianity (supernatural figures God and Jesus; supernatural features the soul, heaven, hell), but simply interested in the what if aspect of it.

  • Arthur C. Clarke's "The Star" (1955 short story) (Interstellar travelers arrive on a planet and discover that its sun went supernova, destroying its civilization, and that supernova was the "Star of Bethlehem", an aspect of Christian mythology around the birth of Jesus. The story is framed rather neutrally: It accepts the truth of the star, but not necessarily the supernatural claims around it. Christians might choose to believe that God chose to destroy the civilization to send a beacon to Earth's people about Jesus; alternatively, non-Christians might believe that the civilization died and was interpreted by Christians as a sign about Jesus. In the first interpretation, the story acts to consider deep questions about the nature of God, God's plans, the nature of evil (the ends justifying the means); in the second interpretation, the story may be read as a meditation on the interpretation of natural phenomena by primitive people, the nature of religion, the irony of religion. In either reading it may be read as a condemnation of God.)

retellings of Judeo-Christian stories

These may be relatively literal retellings, such as a retelling of the Garden of Eve in the Book of Genesis from Lilith's perspective.

They may also be transformations, as in, what if Jesus were a woman; what if God sent a second child to the modern era.

Jesus versus Christianity

There's a large number of stories focusing on "what if Jesus were alive today" -- he would be treated as insane, he would be persecuted, etc.

  • Godspell (1973)

secret history of Christianity

These stories may or may not include the supernatural as real. Note that "secret histories" are necessarily a type of "retelling", insofar as they are telling a story that didn't happen. Numerous stories have imagined things like:


Historical Christianity

Alternate histories in particular, and fantasy works set in times that are similar to historical Earth times (e.g., faux-medieval settings) often depict one or more historical variants of Christianity (e.g., Roman Catholicism) or events within Christianity (e.g., the Inquisition)


Christianity and other religions

Juxtapositions of Christianity and other religions:

Critiques of Christianity
or valorizations of Christianity


Christian dystopias

Some Christian-like religion has created a dystopian society. See Christian dystopias and villains.


Satires


Christians institutions in society

The depiction of Christians or Christian institutions acting in society--no real commentary on the validity or falseness of Christian ideas.


Particular Christians

Christianity may often be represented by a particular character who is a Christian. For instance, a sexually repressed Christian, in juxtaposition with a free-wheeling non-Christian. This sort of use can occur in conjunction with almost any of the above uses of Christianity.
Christians may also just be characters in works that have nothing to do with Christianity--e.g., a monk investigating a mystery.
See Christian dystopias and villains.