Secret Weavers: Difference between revisions

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* "Reflections on the Fantastic" Marjorie Agosin (pp. 13-23).
* "Reflections on the Fantastic" Marjorie Agosin (pp. 13-23).


Compulsive Dreamers (section). "The Compulsive Dreamer" Silvina Ocampo (p. 27-35); "Things" Silvina Ocampo (p. 36-39); "The Velvet Dress" Silvina Ocampo (p. 40-43); "The House of Sugar" Silvina Ocampo (p. 44-52); "Thus Were Their Faces" Silvina Ocampo (p. 53-59); "The Story of María Griselda" María Luisa Bombal (p. 60-80); "The Little Island" Luisa Mercedes Levinson (p. 81-84); "The Boy Who Saw God's Tears" Luisa Mercedes Levinson (pp. 85-90).
'''Compulsive Dreamers.'''
* "The Compulsive Dreamer" Silvina Ocampo (p. 27-35);  
* "Things" Silvina Ocampo (p. 36-39);  
* "The Velvet Dress" Silvina Ocampo (p. 40-43);  
* "The House of Sugar" Silvina Ocampo (p. 44-52);  
* "Thus Were Their Faces" Silvina Ocampo (p. 53-59);  
* "The Story of María Griselda" María Luisa Bombal (p. 60-80);  
* "The Little Island" Luisa Mercedes Levinson (p. 81-84);  
* "The Boy Who Saw God's Tears" Luisa Mercedes Levinson (pp. 85-90).


And the Wheel Still Spins. "An Eternal Fear" Elvira Orpheé (p. 93-99); "I Will Return, Mommy" Elvira Orpheé (p. 100-103); "How the Little Crocodiles Cry!" Elvira Orpheé (p. 104-107); "For Friends and Enemies" Olga Orozco (p. 108-116); "And the Wheel Still Spins" Olga Orozco (p. 117-129).
'''And the Wheel Still Spins.'''
* "An Eternal Fear" Elvira Orpheé (p. 93-99);  
* "I Will Return, Mommy" Elvira Orpheé (p. 100-103);  
* "How the Little Crocodiles Cry!" Elvira Orpheé (p. 104-107);  
* "For Friends and Enemies" Olga Orozco (p. 108-116);  
* "And the Wheel Still Spins" Olga Orozco (p. 117-129).


The Wild Mirrors. "The Mirror of Melancholy" Alejandra Pizarnik (p. 133-135); "Blood Baths" Alejandra Pizarnik (p. 136-137); "Severe Measures" Alejandra Pizarnik (p. 138-140); "Excerpts from The Wild Papers Marosa Di Giorgio (p. 141-143); Excerpts from Dream Time Ana María Shua (p. 144-145); "Other/Other" Ana María Shua (p. 146-156); "Fishing Days" Ana María Shua (p. 157-163); "The Man in the Araucaria" Sara Gallardo (p. 164-165); "The Blue Stone Emperor's Thirty Wives" Sara Gallardo (p. 166-177).
'''The Wild Mirrors.'''
* "The Mirror of Melancholy" Alejandra Pizarnik (p. 133-135);  
* "Blood Baths" Alejandra Pizarnik (p. 136-137);  
* "Severe Measures" Alejandra Pizarnik (p. 138-140);  
* "Excerpts from The Wild Papers Marosa Di Giorgio (p. 141-143);  
* Excerpts from Dream Time Ana María Shua (p. 144-145);  
* "Other/Other" Ana María Shua (p. 146-156);  
* "Fishing Days" Ana María Shua (p. 157-163);  
* "The Man in the Araucaria" Sara Gallardo (p. 164-165);  
* "The Blue Stone Emperor's Thirty Wives" Sara Gallardo (p. 166-177).


Invisible Embroidery. "The Condemned Dress in White" Marcela Solá (p. 181-185); "Happiness" Marcela Solá (186-189); "Invisible Embroidery" Marcela Solá (p. 190-193); "The Storm" Alina Diaconú (p. 194-198); "Welcome to Albany" Alina Diaconú (199-202); "The Widower" Alina Diaconú (p. 203-209); "Country Carnival" Luisa Valenzuela (p. 210-215); "Legend of the Self-Sufficient Child" Luisa Valenzuela (p. 216-220); "Viennese Waltz" Alicia Steimberg (p. 221-226); "Garcia's Thousandth Day" Alicia Steimberg (p. 221-226); "Segismundo's Better World" Alicia Steimberg" (p. 230-240).
'''Invisible Embroidery.'''
* "The Condemned Dress in White" Marcela Solá (p. 181-185);  
* "Happiness" Marcela Solá (186-189);  
* "Invisible Embroidery" Marcela Solá (p. 190-193);  
* "The Storm" Alina Diaconú (p. 194-198);  
* "Welcome to Albany" Alina Diaconú (199-202);  
* "The Widower" Alina Diaconú (p. 203-209);  
* "Country Carnival" Luisa Valenzuela (p. 210-215);  
* "Legend of the Self-Sufficient Child" Luisa Valenzuela (p. 216-220);  
* "Viennese Waltz" Alicia Steimberg (p. 221-226);  
* "Garcia's Thousandth Day" Alicia Steimberg (p. 221-226);  
* "Segismundo's Better World" Alicia Steimberg" (p. 230-240).


Letters. "The Perfect Married Woman" Angélica Gorodischer (p. 243-247); "Letters From an English Lady" Angélica Gorodischer (p. 248-258); "Under the Flowering Juleps" Angélica Gorodischer (p. 259-280); "The Resurrection of the Flesh" Angélica Gorodischer (p. 281-283).
'''Letters.'''
* "The Perfect Married Woman" Angélica Gorodischer (p. 243-247);  
* "Letters From an English Lady" Angélica Gorodischer (p. 248-258);  
* "Under the Flowering Juleps" Angélica Gorodischer (p. 259-280);  
* "The Resurrection of the Flesh" Angélica Gorodischer (p. 281-283).


Annunciations. "When Everything Shines" Liliana Hecer (p. 287-295); "The Annunciation" Cristina Peri Rossi; "Selections from Silendra" -- "Tapihue" "Enedina" "Juana" "Silendra" "Francisco" Elizabeth Subercaseaux (pp. 311-319); "Two Words" Isabel Allende (p. 320-327).
'''Annunciations.'''
The Authors. The Translators.
* "When Everything Shines" Liliana Hecer (p. 287-295);  
* "The Annunciation" Cristina Peri Rossi;  
* "Selections from Silendra" -- "Tapihue" "Enedina" "Juana" "Silendra" "Francisco" Elizabeth Subercaseaux (pp. 311-319);  
* "Two Words" Isabel Allende (p. 320-327).
 
 
* The Authors.  
* The Translators.


[[Category:1992 publications]]
[[Category:1992 publications]]
[[Category:Anthologies]]
[[Category:Anthologies]]
[[Category:Anthologies of women writers]]
[[Category:Anthologies of women writers]]

Latest revision as of 19:12, 24 March 2007

Secret Weavers: Stories of the Fantastic by Women of Argentina and Chile is an anthology edited by Marjorie Agosin.

Editions

  • 1992: White Pine Press, Fredonia, New York.

Contents

  • "Reflections on the Fantastic" Marjorie Agosin (pp. 13-23).

Compulsive Dreamers.

  • "The Compulsive Dreamer" Silvina Ocampo (p. 27-35);
  • "Things" Silvina Ocampo (p. 36-39);
  • "The Velvet Dress" Silvina Ocampo (p. 40-43);
  • "The House of Sugar" Silvina Ocampo (p. 44-52);
  • "Thus Were Their Faces" Silvina Ocampo (p. 53-59);
  • "The Story of María Griselda" María Luisa Bombal (p. 60-80);
  • "The Little Island" Luisa Mercedes Levinson (p. 81-84);
  • "The Boy Who Saw God's Tears" Luisa Mercedes Levinson (pp. 85-90).

And the Wheel Still Spins.

  • "An Eternal Fear" Elvira Orpheé (p. 93-99);
  • "I Will Return, Mommy" Elvira Orpheé (p. 100-103);
  • "How the Little Crocodiles Cry!" Elvira Orpheé (p. 104-107);
  • "For Friends and Enemies" Olga Orozco (p. 108-116);
  • "And the Wheel Still Spins" Olga Orozco (p. 117-129).

The Wild Mirrors.

  • "The Mirror of Melancholy" Alejandra Pizarnik (p. 133-135);
  • "Blood Baths" Alejandra Pizarnik (p. 136-137);
  • "Severe Measures" Alejandra Pizarnik (p. 138-140);
  • "Excerpts from The Wild Papers Marosa Di Giorgio (p. 141-143);
  • Excerpts from Dream Time Ana María Shua (p. 144-145);
  • "Other/Other" Ana María Shua (p. 146-156);
  • "Fishing Days" Ana María Shua (p. 157-163);
  • "The Man in the Araucaria" Sara Gallardo (p. 164-165);
  • "The Blue Stone Emperor's Thirty Wives" Sara Gallardo (p. 166-177).

Invisible Embroidery.

  • "The Condemned Dress in White" Marcela Solá (p. 181-185);
  • "Happiness" Marcela Solá (186-189);
  • "Invisible Embroidery" Marcela Solá (p. 190-193);
  • "The Storm" Alina Diaconú (p. 194-198);
  • "Welcome to Albany" Alina Diaconú (199-202);
  • "The Widower" Alina Diaconú (p. 203-209);
  • "Country Carnival" Luisa Valenzuela (p. 210-215);
  • "Legend of the Self-Sufficient Child" Luisa Valenzuela (p. 216-220);
  • "Viennese Waltz" Alicia Steimberg (p. 221-226);
  • "Garcia's Thousandth Day" Alicia Steimberg (p. 221-226);
  • "Segismundo's Better World" Alicia Steimberg" (p. 230-240).

Letters.

  • "The Perfect Married Woman" Angélica Gorodischer (p. 243-247);
  • "Letters From an English Lady" Angélica Gorodischer (p. 248-258);
  • "Under the Flowering Juleps" Angélica Gorodischer (p. 259-280);
  • "The Resurrection of the Flesh" Angélica Gorodischer (p. 281-283).

Annunciations.

  • "When Everything Shines" Liliana Hecer (p. 287-295);
  • "The Annunciation" Cristina Peri Rossi;
  • "Selections from Silendra" -- "Tapihue" "Enedina" "Juana" "Silendra" "Francisco" Elizabeth Subercaseaux (pp. 311-319);
  • "Two Words" Isabel Allende (p. 320-327).


  • The Authors.
  • The Translators.