Strong female character: Difference between revisions

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Characterizing people on attributes other than gender stereotypes is a critical aspect of characterization and good writing. While failing to characterize gender stereotypes is sexist, moving beyond gender stereotypes is but the first step in non-sexist writing: other pitfalls include, for example, gendered plotting, or unnoted acceptance of sexism on both the part of characters and the authorial voice.  
Characterizing people on attributes other than gender stereotypes is a critical aspect of characterization and good writing. While failing to characterize gender stereotypes is sexist, moving beyond gender stereotypes is but the first step in non-sexist writing: other pitfalls include, for example, gendered plotting, or unnoted acceptance of sexism on both the part of characters and the authorial voice.  


Avoiding all pitfalls of sexist writing may render a work non-sexist, but it does not necessarily render a work ''feminist'' or ''anti-sexist''.  
Avoiding all pitfalls of sexist writing may render a work [[non-sexist]], but it does not necessarily render a work ''[[feminist]]'' or ''[[anti-sexist]]''.  




[[Category:Feminism]]
[[category:Feminism]]
[[Category:Feminism and critical theory]]
 
[[Category:Characterization]]
[[Category:Characterization]]

Latest revision as of 11:08, 11 November 2010

Some people consider that "strong female characters" are sufficient to define a work — particularly SF or other genre work — as feminist. This is no doubt in response to a standard that focused work on male characters, with female characters poorly characterized or entirely absent.

Characterizing people on attributes other than gender stereotypes is a critical aspect of characterization and good writing. While failing to characterize gender stereotypes is sexist, moving beyond gender stereotypes is but the first step in non-sexist writing: other pitfalls include, for example, gendered plotting, or unnoted acceptance of sexism on both the part of characters and the authorial voice.

Avoiding all pitfalls of sexist writing may render a work non-sexist, but it does not necessarily render a work feminist or anti-sexist.