Sarah Canary: Difference between revisions
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Novel by [[Karen Joy Fowler]]. | Novel by [[Karen Joy Fowler]]. | ||
==Synopsis== | |||
Karen Joy Fowler's impressive first novel, set in the late 1800s, begins when an unidentified woman, dressed in black, appears suddenly in a section of forest cleared by Chinese railway workers in the Pacific Northwest. She speaks no intelligible language, and the workers decide to return her to the "white world," specifically a mental institution in the village of Steilacoom. The story follows this woman, called Sarah Canary because of her bird-like language, through the Pacific Northwest, merging historical facts, humor, and fantastic fiction. Fowler seamlessly switches the point-of-view between those who follow her, including Chin, the railroad worker who first encounters Sarah; BJ, a fellow escapee from the mental institution; Harold, the man who captures Sarah and takes her on tour as the "Alaskan Wild Woman"; and Adelaide, a scandalous lecturer addressing the sexual needs and rights of women. These characters tell Sarah's story from their positions as misfits in 19th century society; it becomes less a story about the enigma that is Sarah Canary, and more an examination of the attitudes of society, historically and today. (CLW) | |||
[[Category:Novels]] | [[Category:Novels]] | ||
[[Category:1991 publications]] | [[Category:1991 publications]] | ||
Revision as of 20:47, 28 March 2007
Novel by Karen Joy Fowler.
Synopsis
Karen Joy Fowler's impressive first novel, set in the late 1800s, begins when an unidentified woman, dressed in black, appears suddenly in a section of forest cleared by Chinese railway workers in the Pacific Northwest. She speaks no intelligible language, and the workers decide to return her to the "white world," specifically a mental institution in the village of Steilacoom. The story follows this woman, called Sarah Canary because of her bird-like language, through the Pacific Northwest, merging historical facts, humor, and fantastic fiction. Fowler seamlessly switches the point-of-view between those who follow her, including Chin, the railroad worker who first encounters Sarah; BJ, a fellow escapee from the mental institution; Harold, the man who captures Sarah and takes her on tour as the "Alaskan Wild Woman"; and Adelaide, a scandalous lecturer addressing the sexual needs and rights of women. These characters tell Sarah's story from their positions as misfits in 19th century society; it becomes less a story about the enigma that is Sarah Canary, and more an examination of the attitudes of society, historically and today. (CLW)