Genre Study and Television / Jane Feuer: Difference between revisions
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(notes - probably need to re-read before i summarize! a long time ago) |
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'''Genre Study and Television''' is an influential paper in [[genre studies]] by [[Jane Feuer]]. | '''Genre Study and Television''' is an influential paper in [[genre studies]] by [[Jane Feuer]]. | ||
In it, Feuer notes first of all that the term "[[genre]]" itself implies that that cultural works can be categorized. She then develops a model of creation and categories for genres. Their creation is often post hoc, by intellectuals; e.g., "film noir" was a term developed and applied by French scholars to a number of mid-20th century films by US filmmakers. Feuer then develops | In it, Feuer notes first of all that the term "[[genre]]" itself implies that that cultural works can be categorized. She then develops a model of creation and categories for genres. Their creation is often post hoc, by intellectuals; e.g., "film noir" was a term developed and applied by French scholars to a number of mid-20th century films by US filmmakers. Feuer then develops her own typology. | ||
Revision as of 07:58, 16 March 2007
Genre Study and Television is an influential paper in genre studies by Jane Feuer.
In it, Feuer notes first of all that the term "genre" itself implies that that cultural works can be categorized. She then develops a model of creation and categories for genres. Their creation is often post hoc, by intellectuals; e.g., "film noir" was a term developed and applied by French scholars to a number of mid-20th century films by US filmmakers. Feuer then develops her own typology.
Publications
- As a chapter in Channels of Discourse (ed., Allen) (1992)