Feminist SF studies by author (H): Difference between revisions

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; Heiland, Donna.
; Heiland, Donna.
*  Gothic and Gender: An Introduction. (Blackwell Publishing Ltd. 2004, ISBN 0631200509)
*  Gothic and Gender: An Introduction. (Blackwell Publishing Ltd. 2004, ISBN 0631200509)
; Heldreth, Lillian M.
*  "'Love Is the Plan, the Plan Is Death': The Feminism and Fatalism of James Tiptree, Jr." Extrapolation v. 23 n. 1 (Spring 1982), p. 22-30.
*  "Tanith Lee's Werewolves Within: Reversals of Gothic Tradition," Journal of the Fantastic in the Arts, v. 2, no. 1 (Spring 1989): pp. 15-24.


; Helford, Elyce Rae.
; Helford, Elyce Rae.
*  "Sizing Up the Body: Body Size and Self-Image in Angela Carter's Nights at the Circus and Molly Keane's Good Behaviour." Feminist Graduate Student Conference ("Parallels and Intersections: Racism and Other Forms of Oppression"). Iowa City, IA; April 1989.
*  "Producing 'Woman': Space Fictions and the Processes of Gynesis and Ethnesis." Society of Literature and Science Conference. Portland, OR; October 1990.
*  "Producing 'Woman': Space Fictions and the Processes of Gynesis and Ethnesis." Society of Literature and Science Conference. Portland, OR; October 1990.
*  "Captain Kirk and Gender Identity in Star Trek." Popular Culture Association Conference. Louisville, Ky; March 1992.
*  "Captain Kirk and Gender Identity in Star Trek." Popular Culture Association Conference. Louisville, Ky; March 1992.
Line 54: Line 49:
*  Reading Space Fictions: Representations of Gender, Race, and Species in Popular Culture. Dissertation. University of Iowa, 1993. (DAI v. 53 n. 11 (5/93)).
*  Reading Space Fictions: Representations of Gender, Race, and Species in Popular Culture. Dissertation. University of Iowa, 1993. (DAI v. 53 n. 11 (5/93)).
*  "Ecofeminist Science Fiction and Native American Culture: Confronting Technotopia." American Culture Association in the South Conference. Nashville, TN; October 1993.
*  "Ecofeminist Science Fiction and Native American Culture: Confronting Technotopia." American Culture Association in the South Conference. Nashville, TN; October 1993.
*  "Survival and the Science Fiction Heroine: The Ethnic Women Warriors of Octavia E. Butler and Misha." Women's Caucus Workshop, South Atlantic Modern Language Assocation Conference. Atlanta, GA; November 1993.
*  "'Would You Really Rather Die Than Bear My Children?' The Construction of Gender, Race, and Species in Octavia E. Butler's 'Bloodchild.'" African American Review v. 28, no. 2 (1994) pp. 259-271.
*  "Reading Masculinities in the 'Post-Patriarchal' Space of Red Dwarf." Foundation 64 (1995) pp. 20-31.
*  "Reading Masculinities in the 'Post-Patriarchal' Space of Red Dwarf." Foundation 64 (1995) pp. 20-31.
*  "Community and Survival in Near-Future Feminist Dystopias by Ethnic Women Writers." International Conference on the Fantastic in the Arts. Fort Lauderdale, FL: March 1996.
*  "Community and Survival in Near-Future Feminist Dystopias by Ethnic Women Writers." International Conference on the Fantastic in the Arts. Fort Lauderdale, FL: March 1996.
Line 62: Line 55:
*  co-editor. Enterprise Zones: Critical Positions on Star Trek (Westview)
*  co-editor. Enterprise Zones: Critical Positions on Star Trek (Westview)
*  "(E)raced Visions: Women of Color and Science Fiction in the US." Worlds in Conflict: Science Fiction and the Contests for Authority. Eds. Gary Westfahl and George Slusser. Atlanta, GA: University of Georgia Press (forthcoming).
*  "(E)raced Visions: Women of Color and Science Fiction in the US." Worlds in Conflict: Science Fiction and the Contests for Authority. Eds. Gary Westfahl and George Slusser. Atlanta, GA: University of Georgia Press (forthcoming).
*  "Going 'Native': Le Guin, Misha, and the Politics of Literature." Foundation (forthcoming)


; Heller, Tamar.
; Heller, Tamar.
Line 72: Line 64:
; Hendershot, Cindy.
; Hendershot, Cindy.
* The Animal Within: Masculinity and the Gothic
* The Animal Within: Masculinity and the Gothic
; Hengen, Shannon.
* Margaret Atwood's Power: Mirrors, Reflections and Images in Select Fiction and Poetry. Toronto: Second Story Press, 1993.


; Herbert, Rosemary.
; Herbert, Rosemary.

Revision as of 12:50, 7 November 2010

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z



HA

Halberstam, Judith.
  • "On Vampires, Lesbians, and Coppola's 'Dracula'." Bright Lights v. 11 (Fall 1993), pp. 7-9.
Hand, Elizabeth.
  • "Distant Fingers: Women Visionaries for the Fin-de-Millenaire. Eye, #8, Winter 1991: pp. 31-36.


Donna Haraway.
  • "A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s." Socialist Review Volume 15 Part 80 (1985): pages 65-107. Revised: "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century" in Simians, Cyborgs, and Women (1991) (pp. 149-181).
  • Primate Visions: Gender, Race and Nature in the World of Modern Science. New York: & London, Routledge, 1989.
  • "Monkeys, Aliens, and Women: Love, Science, and Politics at the Intersection of Feminist Theory and Colonial Discourse." Women's Studies International Forum Volume 12, Number 3 (1989): pages 295-312.
  • Simians, Cyborgs, and Women: The Reinvention of Nature. London: Free Association, 1991; New York: Routledge, 1991.
  • Modest_Witness@Second_Millenium. FemaleMan©_Meets_OncoMouseTM, New York and London: Routledge, 1997.
Hardesty, W. H., III.
  • "Volkhavaar," in Survey of Modern Fantasy Literature, edited by Frank N. Magill, Englewood cliffs, N.J.: Salem Press, 1983: Vol 4, pp. 2036-2038.
Hardman, M.J.
  • "Linguistics and Science Fiction: A Language and Gender Short Bibliography." in Women and Language, v.22, n.1 (Spring 1999)
Harper, Mary Catherine.
  • "Incurably Alien Other: A Case for Feminist Cyborg Writers." Science Fiction Studies, v. 22, no. 3 (1995): pp. 399-420.
Harris, Miriam Kalman.
  • "Rediscovery: Claire Myers Spotswood (Owens)." Belles Lettres 5 (Winter 1990): p. 15.
  • "Claire Myers Spotswood Owens: From Southern Belle to Grand Amoureuse." Southern Quarterly v. 31 (Fall 1992): pages 50-69.
Harter, Richard.

HE

Hearne, Betsy.
  • Beauty and the Beast: Visions and Revisions of an Old Tale
Heilbrun, Carolyn.
  • "Why I Don't Read Science Fiction." Women's Studies International Forum, v. 7, no. 2 (19874): pp. 117-119.
Heiland, Donna.
  • Gothic and Gender: An Introduction. (Blackwell Publishing Ltd. 2004, ISBN 0631200509)
Helford, Elyce Rae.
  • "Producing 'Woman': Space Fictions and the Processes of Gynesis and Ethnesis." Society of Literature and Science Conference. Portland, OR; October 1990.
  • "Captain Kirk and Gender Identity in Star Trek." Popular Culture Association Conference. Louisville, Ky; March 1992.
  • "We Are Only Seeking Man: Gender, Psychoanalysis, and Stanislaw Lem's Solaris." Science Fiction Studies v. 57 (1992) pp. 167-177.
  • Reading Space Fictions: Representations of Gender, Race, and Species in Popular Culture. Dissertation. University of Iowa, 1993. (DAI v. 53 n. 11 (5/93)).
  • "Ecofeminist Science Fiction and Native American Culture: Confronting Technotopia." American Culture Association in the South Conference. Nashville, TN; October 1993.
  • "Reading Masculinities in the 'Post-Patriarchal' Space of Red Dwarf." Foundation 64 (1995) pp. 20-31.
  • "Community and Survival in Near-Future Feminist Dystopias by Ethnic Women Writers." International Conference on the Fantastic in the Arts. Fort Lauderdale, FL: March 1996.
  • editor. Fantasy Girls: Gender and the New Universe of Science Fiction and Fantasy Television (Lanham, MA, and Oxford, UK: Rowman & Littlefield: 2000) (273pp.) Considers "The X-Files," "Third Rock from the Sun," "Sabrina the Teenage Witch," "Buffy the Vampire Slayer," "Xena: The Warrior Princess," "Star Trek," "Babylon 5," and others.
  • "A Galaxy of Our Own: Searching for Black Women in Science-Fiction Film." (Includes an homage to Octavia Butler by Inga M. Muscio.) Bitch Magazine, No. 15, Winter 2001, pp. 34-37, 88-89.
  • co-editor. Enterprise Zones: Critical Positions on Star Trek (Westview)
  • "(E)raced Visions: Women of Color and Science Fiction in the US." Worlds in Conflict: Science Fiction and the Contests for Authority. Eds. Gary Westfahl and George Slusser. Atlanta, GA: University of Georgia Press (forthcoming).
Heller, Tamar.
  • Dead Secrets: Wilkie Collins and the Female Gothic. (Yale University Press, 1992; ISBN 0300045743)
M Hemmings.
  • "The Changing Role of Women in Science Fiction: Weird Tales, 1925-1940" in The influence of imagination: essays on ... (2008)
Hendershot, Cindy.
  • The Animal Within: Masculinity and the Gothic
Herbert, Rosemary.
  • "Gender and Genre: Women in Science Fiction and Fantasy." Publishers Weekly v. 236 (November 10, 1989) page 22.
Hermansson, Casie.
  • Reading Feminist Intertextuality Through Bluebeard Stories. (2001) (Women's Studies, v. 27)

HI

Hicks, Heather J.
Hill, Annete and Ian Calcutt.
  • "Vampire Hunters: The Scheduling and Reception of Buffy: The Vampire Slayer and Angel in the UK" in Intensities: The Journal of Cult Media v. 1, no. 1 (Spring / Summer 2001), available at http://www.cult-media.com/issue1/Ahill.htm
Hill, Mary A.
  • Charlotte Perkins Gilman: The Making of a Radical Feminist, 1890-96 (Philadelphia: Temple University Press, 1980)

HO

Hodges, Devon.
  • "Frankenstein and the Feminine Subversion of the Novel." Tulsa Studies in Women's Literature, v. 2 (Fall 1983): pp. 155-164.
Hoeveler, Diane Long.
  • Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontes
Holden, Rebecca.
  • Shifting Worlds: Visions and Re-Visions of Feminism in Science Fiction Narrative. Ph.D. dissertation, University of Wisconsin, 1998.
  • "Of Synners and Brainworms: Feminism on the Wire." in Women of Other Worlds: Excursions through Science Fiction and Feminism, edited by Helen Merrick and Tess Williams, University of Western Australia Press: Nedlands, 1999: pp. 209-227. Discusses Donna Haraway, Gibson's Molly, and lengthy analysis of Pat Cadigan's Syynners (1991) and Melissa Scott's Trouble and Her Friends (1994).
Veronica Hollinger.
  • "Feminisms, Criticisms, Science Fictions." Science Fiction Research Association Conference. Miami University, Oxford, Ohio. 25 June 1989.
  • "Feminist Science Fiction: Construction and Deconstruction." Science Fiction Studies. Volume 16 (July 1989), pages 223-227 (on Lefanu's In the Chinks of the World Machine).
  • "'The Most Grisly Truth': Responses to the Human Condition in the Works of James Tiptree, Jr." Extrapolation v. 30, no. 2 (Summer 1989): pp. 117-132.
  • "Cybernetic Deconstructions: Cyberpunk and Postmodernism." Mosaic, v. 23, no. 2 (1990): pp. 29-44. --. "Introduction: Women in Science Fiction and Other Hopeful Monsters." Science-Fiction Studies v. 17 (#51) (July 1990): pp. 129-135. http://www.uiowa.edu/~sfs/a51.htm
  • "Feminist Science Fiction: Breaking Up the Subject." Extrapolation Volume 31, Number 3 (Fall 1990): pages 229-239.
  • "A New Alliance of Postmodernism and Feminist Speculative Fiction." Science Fiction Studies. Volume 20, no. 2 (July 1993), pages 272-276.
  • "Utopianism, Science, Postmodernism, and Feminism: A Trilogy of Significant Works." Science Fiction Studies Volume 21 number 2 (July 1994), pages 232-237.
  • "The Technobody and Its Discontents." Science Fiction Studies, v. 24, no. 1 (1997): pp. 124-132.
Holmes, B. C.
Holt, Marilyn J.
  • "No Docile Daughters: A Study of Two Novels by Joanna Russ." Room of One's Own v. 6, nos. 1-2 (1981): pp. 92-99.
Homans, Margaret.
  • "Bearing Demons: Frankenstein's Circumvention of the Maternal." Mary Shelley's Frankenstein, edited by Harold Bloom. Modern Critical Interpretations Series. New York: Chelsea House, 1987: pp. 133-153.
Nalo Hopkinson.
  • "Droppin' Science: Black Science Fiction Writing in the 90s." Possibilitiies Literary Arts Magazine, v. 1, no. 4 (1996): pp. 16-17.
Hornum, Barbara.
  • "Wife / Mother, Sorceress / Keeper, Amazon / Renunciate: Status Ambivalence and Conflicting Roles on the Planet Darkover," in Women Worldwalkers, edited by Jane B. Weedman (Lubbock, Texas: Texas Tech Press, 1985).
Howard, Jacqueline.
  • Reading Gothic Fiction: A Bakhtinian Approach (Oxford University Press, 2001; ISBN 0198119925)
Howard, June.
  • "Widening the Dialogue on Feminist Science Fiction" in Vivian Patraka and Louise A. Tilly, editors, Feminist Re-Visions: What Has Been and Might Be (Ann Arbor, MI: Women's Studies Program, University of Michigan, 1983), pages 64-96; also published in Science Fiction Dialogues, edited by Gary Wolfe (Chicago: Academy Chicago, 1982), pages 155-168.
Howells, Coral Ann.
  • "Science Fiction in the Feminine: The Handmaid's Tale." Margaret Atwood (1996) pp 127-147, 176-177.
Howes, Keith.
  • "Echoes of Tomorrow," Gay News (London), no. 142 or 143 (1978 May 18-31). (Interview with Michael Moorcock on gay liberation; analysis of queer sf novels.)
Howey, Ann F.
  • Rewriting the Women of Camelot: Arthurian Popular Fiction and Feminism (Greenwood: 2001; ISBN 031331604X; 160pp.; series: Contribution to the Study of Science Fiction and Fantasy.)
Hovanec, Carol P.
  • "Visions of Nature in The Word for World is Forest: A Mirror of the American Consciousness." Extrapolation, v. 30, no. 1 (Spring 1989): pp. 84-92.

HU

Hull, Keith N.
  • "What Is Human? Ursula Le Guin and Science Fiction's Great Theme." Modern Fiction Studies v. 32 (Spring 1986): pp. 65-74.
Huntington, John.
  • "Public and Private Imperatives in Le Guin's Novels" Science Fiction Studies 2, 3 (v. 7) (Nov. 1975): pp. 237-243.
Hurley, Kelly.
  • The Gothic Body.
Hutcheons, Linda.
  • "From Poetic to Narrative Structures: The Novels of Margaret Atwood." in Margaret Atwood: Language, Text, and System, edited by Sherrill E. Grace and Lorraine Weir. Vancouver: University of British Columbia Press, 1983. pp. 17-31.