Parodies and retellings: Difference between revisions
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Retelling stories is a common way for critics to make a critical point about a work. The commentary might be humorous, as in a humorous parody; critical, as in a work that demonstrates the earlier work's failings of writing or perspective; or exploratory, as in a work that explores new dimensions and resonances of an early story. | Retelling stories is a common way for critics to make a critical point about a work. The commentary might be humorous, as in a humorous parody; critical, as in a work that demonstrates the earlier work's failings of writing or perspective; or exploratory, as in a work that explores new dimensions and resonances of an early story. | ||
While the common sense of the word "parody" implies a light or humorous tale, in US copyright law, the term has come to mean a broader critical ''or'' humorous retelling; as in ''The Wind Done Gone'', the retelling of ''Gone With the Wind'' from the perspective of Scarlett O'Hara's enslaved half-sister. In US copyright law, parodies are often distinguished from satires: parodies mock a work or works or type of work, while satires mock society. | |||
Examples are particularly common within science fiction and fantasy, but have also been common outside of sf. | Examples are particularly common within science fiction and fantasy, but have also been common outside of sf. | ||
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* Jane Eyre ... The Wide Sargasso Sea | * Jane Eyre ... The Wide Sargasso Sea | ||
* Pamela Frankau, Jezebel (1937) (see [http://www.lesleyahall.net/pfrankau.htm Bibliography]) | * Pamela Frankau, Jezebel (1937) (see [http://www.lesleyahall.net/pfrankau.htm Bibliography]) | ||
* Gulliver's Travels, a parody of the travel genre, and a satire of English society | |||
* Nancy Clue and the Hardly Boys / Mabel Maney | |||
See [[:category:Mythological female characters|Mythological Female Characters]] | See [[:category:Mythological female characters|Mythological Female Characters]] | ||
[[category:Referential Works]] | [[category:Referential Works]] | ||
[[Category:Genres]] | |||
Revision as of 21:01, 16 February 2007
Retellings, recuperations, reclamations.
Retelling stories is a common way for critics to make a critical point about a work. The commentary might be humorous, as in a humorous parody; critical, as in a work that demonstrates the earlier work's failings of writing or perspective; or exploratory, as in a work that explores new dimensions and resonances of an early story.
While the common sense of the word "parody" implies a light or humorous tale, in US copyright law, the term has come to mean a broader critical or humorous retelling; as in The Wind Done Gone, the retelling of Gone With the Wind from the perspective of Scarlett O'Hara's enslaved half-sister. In US copyright law, parodies are often distinguished from satires: parodies mock a work or works or type of work, while satires mock society.
Examples are particularly common within science fiction and fantasy, but have also been common outside of sf.
- The Wizard of Oz ... Gregory Maguire's Wicked and Geoff Ryman's Was
- The Hobbit ... Pat Murphy's There and Back Again
- numerous fairy tales & myths & folktales, including the King Arthur stories recycled by Marion Zimmer Bradley as The Mists of Avalon, which set off a veritable storm of retellings; Pygmalion and Galatea story which has been retold many, many times, including in feminist sf Amy Thomson's Virtual Girl. Another landmark book: Ellen Datlow and Terri Windling's Snow White, Blood Red. To some extent, all retellings are reappropriations of myths, old or new; without a certain mythic status in a culture, there would be no point in retelling a work.
- The Snow Queen ... Joan Vinge's The Snow Queen
- Sleeping Beauty ... Mercedes Lackey's The Gates of Sleep, Sheri S. Tepper's Beauty...
- Helen of Troy / Iphigenia / Cassandra - Helen of Troy in "Helen Remembers the Stork Club" by Esther M. Friesner; whole saga in Sheri S. Tepper's The Gates to Women's Country
- Bluebeard -
- The Robber Bride / The Robber Bride by Margaret Atwood
- Peter Pan - "Lost Girls" by Pat Cadigan (1993)
- swans - Peg Kerr, "The Wild Swans" (1999)
- deerskin - Robin McKinley, Deerskin (1993)
Some non-SF examples:
- Gone With the Wind ... Alice Randall's The Wind Done Gone
- Lolita ... Lo's Diary
- Jane Eyre ... The Wide Sargasso Sea
- Pamela Frankau, Jezebel (1937) (see Bibliography)
- Gulliver's Travels, a parody of the travel genre, and a satire of English society
- Nancy Clue and the Hardly Boys / Mabel Maney