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* "Reflections on the Fantastic" Marjorie Agosin (pp. 13-23). | * "Reflections on the Fantastic" Marjorie Agosin (pp. 13-23). | ||
Compulsive Dreamers | '''Compulsive Dreamers.''' | ||
* "The Compulsive Dreamer" Silvina Ocampo (p. 27-35); | |||
* "Things" Silvina Ocampo (p. 36-39); | |||
* "The Velvet Dress" Silvina Ocampo (p. 40-43); | |||
* "The House of Sugar" Silvina Ocampo (p. 44-52); | |||
* "Thus Were Their Faces" Silvina Ocampo (p. 53-59); | |||
* "The Story of María Griselda" María Luisa Bombal (p. 60-80); | |||
* "The Little Island" Luisa Mercedes Levinson (p. 81-84); | |||
* "The Boy Who Saw God's Tears" Luisa Mercedes Levinson (pp. 85-90). | |||
And the Wheel Still Spins. "An Eternal Fear" Elvira Orpheé (p. 93-99); "I Will Return, Mommy" Elvira Orpheé (p. 100-103); "How the Little Crocodiles Cry!" Elvira Orpheé (p. 104-107); "For Friends and Enemies" Olga Orozco (p. 108-116); "And the Wheel Still Spins" Olga Orozco (p. 117-129). | '''And the Wheel Still Spins.''' | ||
* "An Eternal Fear" Elvira Orpheé (p. 93-99); | |||
* "I Will Return, Mommy" Elvira Orpheé (p. 100-103); | |||
* "How the Little Crocodiles Cry!" Elvira Orpheé (p. 104-107); | |||
* "For Friends and Enemies" Olga Orozco (p. 108-116); | |||
* "And the Wheel Still Spins" Olga Orozco (p. 117-129). | |||
The Wild Mirrors. "The Mirror of Melancholy" Alejandra Pizarnik (p. 133-135); "Blood Baths" Alejandra Pizarnik (p. 136-137); "Severe Measures" Alejandra Pizarnik (p. 138-140); "Excerpts from The Wild Papers Marosa Di Giorgio (p. 141-143); Excerpts from Dream Time Ana María Shua (p. 144-145); "Other/Other" Ana María Shua (p. 146-156); "Fishing Days" Ana María Shua (p. 157-163); "The Man in the Araucaria" Sara Gallardo (p. 164-165); "The Blue Stone Emperor's Thirty Wives" Sara Gallardo (p. 166-177). | '''The Wild Mirrors.''' | ||
* "The Mirror of Melancholy" Alejandra Pizarnik (p. 133-135); | |||
* "Blood Baths" Alejandra Pizarnik (p. 136-137); | |||
* "Severe Measures" Alejandra Pizarnik (p. 138-140); | |||
* "Excerpts from The Wild Papers Marosa Di Giorgio (p. 141-143); | |||
* Excerpts from Dream Time Ana María Shua (p. 144-145); | |||
* "Other/Other" Ana María Shua (p. 146-156); | |||
* "Fishing Days" Ana María Shua (p. 157-163); | |||
* "The Man in the Araucaria" Sara Gallardo (p. 164-165); | |||
* "The Blue Stone Emperor's Thirty Wives" Sara Gallardo (p. 166-177). | |||
Invisible Embroidery. "The Condemned Dress in White" Marcela Solá (p. 181-185); "Happiness" Marcela Solá (186-189); "Invisible Embroidery" Marcela Solá (p. 190-193); "The Storm" Alina Diaconú (p. 194-198); "Welcome to Albany" Alina Diaconú (199-202); "The Widower" Alina Diaconú (p. 203-209); "Country Carnival" Luisa Valenzuela (p. 210-215); "Legend of the Self-Sufficient Child" Luisa Valenzuela (p. 216-220); "Viennese Waltz" Alicia Steimberg (p. 221-226); "Garcia's Thousandth Day" Alicia Steimberg (p. 221-226); "Segismundo's Better World" Alicia Steimberg" (p. 230-240). | '''Invisible Embroidery.''' | ||
* "The Condemned Dress in White" Marcela Solá (p. 181-185); | |||
* "Happiness" Marcela Solá (186-189); | |||
* "Invisible Embroidery" Marcela Solá (p. 190-193); | |||
* "The Storm" Alina Diaconú (p. 194-198); | |||
* "Welcome to Albany" Alina Diaconú (199-202); | |||
* "The Widower" Alina Diaconú (p. 203-209); | |||
* "Country Carnival" Luisa Valenzuela (p. 210-215); | |||
* "Legend of the Self-Sufficient Child" Luisa Valenzuela (p. 216-220); | |||
* "Viennese Waltz" Alicia Steimberg (p. 221-226); | |||
* "Garcia's Thousandth Day" Alicia Steimberg (p. 221-226); | |||
* "Segismundo's Better World" Alicia Steimberg" (p. 230-240). | |||
Letters. "The Perfect Married Woman" Angélica Gorodischer (p. 243-247); "Letters From an English Lady" Angélica Gorodischer (p. 248-258); "Under the Flowering Juleps" Angélica Gorodischer (p. 259-280); "The Resurrection of the Flesh" Angélica Gorodischer (p. 281-283). | '''Letters.''' | ||
* "The Perfect Married Woman" Angélica Gorodischer (p. 243-247); | |||
* "Letters From an English Lady" Angélica Gorodischer (p. 248-258); | |||
* "Under the Flowering Juleps" Angélica Gorodischer (p. 259-280); | |||
* "The Resurrection of the Flesh" Angélica Gorodischer (p. 281-283). | |||
Annunciations. "When Everything Shines" Liliana Hecer (p. 287-295); "The Annunciation" Cristina Peri Rossi; "Selections from Silendra" -- "Tapihue" "Enedina" "Juana" "Silendra" "Francisco" Elizabeth Subercaseaux (pp. 311-319); "Two Words" Isabel Allende (p. 320-327). | '''Annunciations.''' | ||
The Authors. The Translators. | * "When Everything Shines" Liliana Hecer (p. 287-295); | ||
* "The Annunciation" Cristina Peri Rossi; | |||
* "Selections from Silendra" -- "Tapihue" "Enedina" "Juana" "Silendra" "Francisco" Elizabeth Subercaseaux (pp. 311-319); | |||
* "Two Words" Isabel Allende (p. 320-327). | |||
* The Authors. | |||
* The Translators. | |||
[[Category:1992 publications]] | [[Category:1992 publications]] | ||
[[Category:Anthologies]] | [[Category:Anthologies]] | ||
[[Category:Anthologies of women writers]] | [[Category:Anthologies of women writers]] | ||
Latest revision as of 19:12, 24 March 2007
Secret Weavers: Stories of the Fantastic by Women of Argentina and Chile is an anthology edited by Marjorie Agosin.
Editions
- 1992: White Pine Press, Fredonia, New York.
Contents
- "Reflections on the Fantastic" Marjorie Agosin (pp. 13-23).
Compulsive Dreamers.
- "The Compulsive Dreamer" Silvina Ocampo (p. 27-35);
- "Things" Silvina Ocampo (p. 36-39);
- "The Velvet Dress" Silvina Ocampo (p. 40-43);
- "The House of Sugar" Silvina Ocampo (p. 44-52);
- "Thus Were Their Faces" Silvina Ocampo (p. 53-59);
- "The Story of María Griselda" María Luisa Bombal (p. 60-80);
- "The Little Island" Luisa Mercedes Levinson (p. 81-84);
- "The Boy Who Saw God's Tears" Luisa Mercedes Levinson (pp. 85-90).
And the Wheel Still Spins.
- "An Eternal Fear" Elvira Orpheé (p. 93-99);
- "I Will Return, Mommy" Elvira Orpheé (p. 100-103);
- "How the Little Crocodiles Cry!" Elvira Orpheé (p. 104-107);
- "For Friends and Enemies" Olga Orozco (p. 108-116);
- "And the Wheel Still Spins" Olga Orozco (p. 117-129).
The Wild Mirrors.
- "The Mirror of Melancholy" Alejandra Pizarnik (p. 133-135);
- "Blood Baths" Alejandra Pizarnik (p. 136-137);
- "Severe Measures" Alejandra Pizarnik (p. 138-140);
- "Excerpts from The Wild Papers Marosa Di Giorgio (p. 141-143);
- Excerpts from Dream Time Ana María Shua (p. 144-145);
- "Other/Other" Ana María Shua (p. 146-156);
- "Fishing Days" Ana María Shua (p. 157-163);
- "The Man in the Araucaria" Sara Gallardo (p. 164-165);
- "The Blue Stone Emperor's Thirty Wives" Sara Gallardo (p. 166-177).
Invisible Embroidery.
- "The Condemned Dress in White" Marcela Solá (p. 181-185);
- "Happiness" Marcela Solá (186-189);
- "Invisible Embroidery" Marcela Solá (p. 190-193);
- "The Storm" Alina Diaconú (p. 194-198);
- "Welcome to Albany" Alina Diaconú (199-202);
- "The Widower" Alina Diaconú (p. 203-209);
- "Country Carnival" Luisa Valenzuela (p. 210-215);
- "Legend of the Self-Sufficient Child" Luisa Valenzuela (p. 216-220);
- "Viennese Waltz" Alicia Steimberg (p. 221-226);
- "Garcia's Thousandth Day" Alicia Steimberg (p. 221-226);
- "Segismundo's Better World" Alicia Steimberg" (p. 230-240).
Letters.
- "The Perfect Married Woman" Angélica Gorodischer (p. 243-247);
- "Letters From an English Lady" Angélica Gorodischer (p. 248-258);
- "Under the Flowering Juleps" Angélica Gorodischer (p. 259-280);
- "The Resurrection of the Flesh" Angélica Gorodischer (p. 281-283).
Annunciations.
- "When Everything Shines" Liliana Hecer (p. 287-295);
- "The Annunciation" Cristina Peri Rossi;
- "Selections from Silendra" -- "Tapihue" "Enedina" "Juana" "Silendra" "Francisco" Elizabeth Subercaseaux (pp. 311-319);
- "Two Words" Isabel Allende (p. 320-327).
- The Authors.
- The Translators.