Hermaphroditic species in SF: Difference between revisions
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* Leigh, Stephen. ''Dark Water's Embrace'' (1998) and Speaking Stones (1999) | * Leigh, Stephen. ''Dark Water's Embrace'' (1998) and Speaking Stones (1999) | ||
* Scott, Melissa. ''Shadow Man'' (1995) (space travel creates five common genders) | * Scott, Melissa. ''Shadow Man'' (1995) (space travel creates five common genders) | ||
[[category:Lists]] | [[category:Lists]] | ||
[[Category:Gender and sex themes]] | [[Category:Gender and sex themes]] | ||
Revision as of 14:04, 2 May 2007
Hermaphroditism in a species, or as an evolutionary adjustment to humans.
- Asimov, Isaac. Foundation and Earth (1986) [a hermaphroditic variety of humans; one joins the protagonists]
- Burdekin, Katharine. Proud Man (1934; 1993) (A human from the future visits 1930s England; humans in the future have evolved "beyond" humanity, and beyond humanity's bi-sexed nature; each individual can reproduce on their own, and is whole, containing both male and female attributes. This human contemplates with amazement the various social oddities of modern English society.)
- Duchamp, L. Timmel. "Motherhood, Etc." (1993)
- Grae, Camarin. Stranded (1991, Naiad) (3 women from a hermaphroditic species are sent as "disembodied minds" to Earth to stop a villain. They end up identifying as lesbians and fighting a fundamentalist movement led by the villain.)
- Joyce, Graham, and Peter F. Hamilton. "Eat Reecebread" (1994)
- Ursula K. Le Guin's The Left Hand of Darkness is a type of hermaphroditism: male and female gender in potential
- Leigh, Stephen. Dark Water's Embrace (1998) and Speaking Stones (1999)
- Scott, Melissa. Shadow Man (1995) (space travel creates five common genders)