WisCon 31 schedule: Difference between revisions
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* [[WisCon 31 readings|209 InterFictions Anthology Reading]] | * [[WisCon 31 readings|209 InterFictions Anthology Reading]] | ||
* [[Future of Feminism (WisCon 31 panel)|210 The Future of Feminism]] | * [[Future of Feminism (WisCon 31 panel)|210 The Future of Feminism]] | ||
* [[Teaching SF&F (WisCon 31 panel)|211 Teaching SF&F]] | * [[Teaching SF&F (WisCon 31 panel)|211 Teaching SF&F]] | ||
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M: Susan Palwick, Alyson L Abramowitz, Lynn Kendall, Jean Mornard, Pamela K. Taylor | M: Susan Palwick, Alyson L Abramowitz, Lynn Kendall, Jean Mornard, Pamela K. Taylor | ||
* 218 Board and Card Games Kids | * [[Kids Programming (WisCon 31)|218 Board and Card Games Kids Programming]]•611• Monday, 10:00-11:15 a.m. | ||
* [[Crutch of Religion (WisCon 31 panel)|219 The Crutch of Religion in Moral Behavior]] | * [[Crutch of Religion (WisCon 31 panel)|219 The Crutch of Religion in Moral Behavior]] | ||
Revision as of 15:16, 30 May 2007
WisCon 31 Program Schedule
Friday May 25, 2007
- The Gathering
- 16 Staged Reading Auditions
- 17 The Mod Squad
- 18 Ergonomics for Writers
- 19 Mid-Career Writers Reception
- 22 Half Lives, Orphans, and Other Tiptree Oddities
- 20 Fey Faery Fiction
- 21 Poem To Song
- 23 First WisCon Dinner
- 24 Opening Ceremonies
- 25 Please Touch/Don't Touch
- 26 Whither Hero(in)es?
- 27 GOH Reading: Laurie Marks
- 28 The Feminist (and other) Appeal of Kelly Link's Fiction
- 29 Ratbastard's Rabid Karaoke Blast
- 30 Counting Past Two
- 31 The Evil Twin Must Die: The Idea of The Collective in Science Fiction and Fantasy/ Singing Like a Bird: The Articulate Silence of Sarah Canary
- 32 A Long-Expected Party
- 33 Lifestyles of the Rich and Supernatural
- 34 Tachyon Publications/Book Launch Party for Carol Emshwiller and Ellen Klages
- 35 Think Galactic...Or Your World Is Lost!
- 36 Carl Brandon Society Party
- 37 Aqueduct Press/Payseur and Schmidt
- 38 Silent SF Films of 2006
- 39 Entering the Labyrinth
- 40 Tools Of Our Own: Women And Hands-on Work
- 41 Voices from the West Readings
- 42 Swords and Sabres Readings
- 43 Ask Me Anything (About Publishing, That Is)
Saturday programs
- 44 Farmer's Market
- 45 How To Read Aloud
- 46 Underneath It All
- 47 Revisiting the Wow: Books That Changed Everything
- 48 Pat Cadigan's Cyberpunk Realities
- 49 Officer Unfriendly? Problematizing Law Enforcement and the "Justice" System
- 50 I Sense Your Pain.
- 51 Genre Tokenism Today: The New Octavia
- 52 Editing Anthologies
- 53 Boys and Gender Expectations in Contemporary YA Fantasy and Science Fiction
- 54 Please Explain Slash To Me
- 55 Aqueduct Press Writers
- 56 Moving Toward Marriage: The Politics of Consent in the Fiction of Ursula Le Guin/Historical Revision in Earthsea
- 57 Women Authors You Probably Never Heard Of (But Should Read!): The Karen Axness Memorial Panel
- 58 Modern Myth and the New Skepticism
- 59 Implausible Teaching
- 60 Set–Up and Legos
- 61 The Double Life of Alice Sheldon
- 62 Feminine God Imagery: Not Just For Pagans!
- 63 Claiming Your Voice
- 64 Short Fiction Markets You Should Know
- 65 Foremothers of Today's Feminist SF
- 66 Why Is the Universe So Damn White?
- 67 Three Comrades Go On A Quest....
- 68 Gendering A.I.
- 69 Special Guests: Julie Phillips and Dorothy Allison (Reading)
- 70 Sexism: A Spotter's Guide
- 71 YA Fantasy
- 72 Pauline Hopkins’s Of One Blood as Speculative Fiction / The Scientific Horror of Addiction in Octavia Butler’s Fledgling
- 73 Making Good Books
- 74 A Conversation on Feminism and Japan
- 75 Take Things Apart!
- 76 Tiptree Bake Sale
- 77 SM in Feminist Science Fiction
- 78 Liking Your Life in an Unlikeable World: Personal Energy for Political Work
- 79 Everything I Needed to Know About Feminism I Learned From YA
- 80 Lady Poetesses From Hell
- 81 The Sensuality of Writing and Writing Sensuality
- 82 Cultural Appropriation Revisited Part One
- 83 Wicked!
- 84 The Ten-Foot Shelf Of Perdition: Books to Avoid
- 85 Can Technology Be The Answer?
- 86 General Reading Group
- 87 Feminism and the Problem of Gender for the Source, Voice, and Identity of the Woman Who Writes/Feminist and Science Fictional Resources for the Cultural Critic of Technoscience
- 88 The Japanese Sense of Gender
- 89 Outsourcing and the Auxiliary Brain
- 90 Endicott Studio Living Room
- 91 Call and Response readings
- 92 Around the Writer’s Block
- 93 Broad Universe Rapid Fire Reading
- 94 Feminist SF Wiki Workshop
- 95 Judging the Tiptree Award
- 96 Cultural Appropriation Revisited Part Two: Facilitated Discussion
- 97 Sarcasm and Superheroics: Feminism in the Mainstream Comics Industry
- 98 GOH Mutual Interview: Laurie Marks Interviews Kelly Link/Kelly Link Interviews Laurie Marks
- 99 Outreach to Non-Readers
- 100 Fantastical Girls in Fantastical Worlds readings
- 101 Playing for Self-Esteem: How Video Games Represent Females And Affect Female Self-Esteem/Idealizing Fantasy Bodies in Video Games
- 102 Staged Reading Rehearsal
- 103 Real World Magic and Speculative Fiction
- 104 SF Swim
- 105 Putting the "D" in InterDisciplinary
- 106 Rocking the Good Boat Utopia
- 107 SF&F — Revolutionary or Conservative?
- 108 Tiptree Auction
- 109 Let's Do the Time Warp Again
- 110 The Tragedy of Change
- 111 Feminism and Fantasy Art
- 112 Last of the Michigan Clarionites
- 113 Bodies/Politics: Disability, Addiction, and Larger-than-life Women in Laurie Marks’s Elemental Logic/Kelly Link Is Haunting Me—Who Is Haunting Kelly Link?
- 114 Making War on "War"
- 115 Lightning Write
- 116 Tales of the Unanticipated Party
- 117 Haiku Earring Party
- 118 Tor party
- 119 Scribe Agency/Farrago's Wainscot/Wheatland Press Release Party
- 120 Water Logic Book Launch/Small Beer Press Party
- 121 SF Films of 2006: The Year the Critters Ran Wild
- 122 Unfair to Middle-Class White Guys!
- 123 Fay Goddesses and Little Deaths
- 124 Criticism: Beyond Slamming And Mythologizing
- 125 When Good Books Happen to Bad People
- 126 The Privilege of the Sword, Denied: Pacification in History)
- 127 There Be Dragons!
- 128 General Reading Group 2
Sunday 5/27
- 129 What the Shadow Knows About SF&F
- 130 The New Atheism: Hope of the Future or Throwin' Gas on the Fire?
- 131 Doing Your Homework: Where Do You Find the Good Stuff On the Web?
- 132 Transsexuality as Trope
- 133 Carl Brandon Society Update
- 134 The Allure of the Unreconstructed Stereotype
- 135 What These People Need Is A Honky
- 136 Can This Genre Be Saved?
- 137 The Feminist (and other) Appeal of Laurie Marks' Fiction
- 138 The President Wears Prada; or Women: The Dark Side
- 139 Bond, Butner, Rowe, Nakashima-Brown LLC
- 140 Baba Yaga Abroad/A Postcolonial “Borders View” of Geoff Ryman’s Air
- 141 Take a Ride Across Dark Energy into the Fantastic
- 142 The Object In the Story, the Story In the Object
- 143 Let's You And Her Fight
- 144 Circulation Reboot: Basic Bellydance Moves
- 145 Romance of the Revolution
- 146 Male Allies
- 147 GOH Reading: Kelly Link
- 148 Colonialism...In...Space!
- 149 Mixed-Race Characters in Speculative Fiction
- 150 The X-Women
- 151 Sparkly Boys and Tough Girls: Raising Children Outside of the Gender Binary
- 152 The Transformative Power of Baba Yaga and the Armless Maiden
- 153 Supersonic Stories
- 154 Destroying the Illusion of Traditional Gender Roles in Joanna Russ’ The Female Man / Weird Worlds, Warrior Women: The Cyberfeminists of Joanna Russ and William Gibson
- 155 The Role of Women and People of Color in Stargate SG-1 and Atlantis
- 156 Adventures in Peacemaking
- 157 Domestic Fantasy
- 158 TBA Kids Programming
- 159 A Room Of Your Own
- 160 The Many Answers to Fermi's Paradox
- 161 So What Is The Plunkett, Anyway?
- 162 The Pre-Pregnancy Program
- 163 SF&F on TV This Season
- 164 Battlestar Galactica: The Debate
- 165 Writing About War
- 166 Little Girls on the Hero's Journey
- 167 That's Not Scary Anymore
- 168 What Do Writers Owe Their Readers?
- 169 This is Not Your Mother's Childhood
- 170 The Author's Blog: Does It Help? Does It Hurt?
- 171 These Kids Tomorrow
- 172 The Human Genome
- 173 Just How Smart Are Animals, Anyway?
- 174 TBA Kids Programming
- 175, 191 Strange Horizons Tea Party
- 176 Mad Scientist Japanese Tea Party Parties
- 177 Speculative Fiction Theatre
- 178 Fun Home
- 179 John M. Ford: In Memoriam
- 180 "Overnight" Success and the Experienced Writer
- 181 Feminism, Submission and Loving-Kindness
- 182 SF & The Escape From The Body
- 183 How To Do Good Work in High Fantasy
- 184 Love, Marriage, and Feminist Pair-Bonding
- 185 Desire and Disappearances
- 186 Inherited Traits: Race, Gender, and Intertextuality in Heroes
- 187 Writing Violence
- 188 Third Culture Kids
- 189 Welcome Back to Riverside!
- 190 SF Swim
- 192 Updates on Decluttering
- 193 Dessert Salon
- 194 GoH Speeches and Awards Ceremony
- 195 Sunday Night Fancy Dress Party
- 196 Diversicon Party
- 197 LiveJournal Party
- 198 The Endicott Studio for Mythic Arts
- 199 Doctor Who & Torchwood
- 200 Wyrdsmiths Party
- 201 Fantasy Films of 2006: The Year the Critters Ran Wild
- 202 What If You Don't Want to Have Children?
- 203 Words Like Icebergs
- 204 Staged Reading Performance: Juvenilia
- 205 Sailing Strange Winds: Heave To and Prepare to be Boarded!
- 206 Writing as Spiritual Practice
- 207 Glorifying Terrorism Readings
Monday 5/28
- 208 Workshop: Morning Taekwondo Solo Presentations•Capitol B• Monday, 8:30-9:45 a.m.
A short introduction to the korean martial art of taekwondo. This workshop will emphasize the applications of the two basic forms (Taeguek One and Palgwe One). No previous experience necessary. Taught by a third degree black belt.
Adrian Alan Simmons
The Craft And Business of Writing SF&F•Caucus Room• Monday, 10:00-11:15 a.m.
Bringing SF & F into the classroom: what are some different approaches for primary school, high school, undergrad, postgrad? Creative approaches to introducing SF & F (examples: as an ethics course, in film studies, pop culture, in gender studies, science programmes, etc.) Devising syllabi and reading lists: go with the "classics," or take a cannon to the canon? What if your department head thinks science fiction has cooties?
M: JJ Pionke, Trent Hergenrader, Kelly McCullough, Cat T. Rambo, Patrick James Rothfuss
Reading, Viewing, and Critiquing SF&F•Senate A• Monday, 10:00-11:15 a.m.
Ever have a conversation with someone about a piece of literature and found yourself surprised and to have it dismissed (or lauded, or simply suggested) as a “boy book” or a “girl book”? Let’s discuss the characteristics that may cause a book to get one label or another. Is it the gender of the author? Of the characters? Of the readership? Its violence, or lack thereof? Its language? Its cover design? Is there any value in these designations for finding and attracting audiences, or do they just wind up ghettoizing whatever they’re applied to? How do these values apply specifically to the SF&F world and the (dying, hopefully?) perception that boys write science fiction for boys and girls write fantasy for girls? And how do non-binary gender systems play into or against these conventions?
M: Sharyn November, Lori Devoti, Liz L. Gorinsky, Laurie J. Marks, Pat Murphy
Feminism, Sex, and Gender•Senate B• Monday, 10:00-11:15 a.m.
How can we question literary standards that support the patriarchy/establishment/Man without suppressing critical judgment, and while maintaining a common critical language?
M: Jesse Kaysen, Jennifer Dunne, Micole Iris Sudberg, Catherynne M. Valente
- 214 Farthing Magazine/Nights at the Gauntlet Readings•Conference Room 2• Monday, 10:00-11:15 a.m. Charlie Allery, Wendy Bradley, Anna Feruglio Dal Dan, Debbie L. Smith, Deb Taber, Greer Woodward
215 “Wait and See What I Become”: Gender and Performativity in James Robinson’s Starman/The Woman's Superpower: Ghosts, Empaths, and Psychics in Contemporary American Prime-Time Television
Academic Papers•Conference Room 3• Monday, 10:00-11:15 a.m.
1) Starman is a story about generations of families, one that presents two ages of heroes—the simply-themed, brightly colored superstars of the Golden Age and their grittier, more morally complex modern counterparts—as a foil for the relationships between parents and children. In this capacity, writer James Robinson has—and takes—the opportunity to examine and split from not only Golden Age idealism, but also more modern superhero tropes. This paper is a feminist exploration of the roles of performativity and gender in the personal and public identities of three characters: Jack Knight (Starman), the protagonist of the series; Nash (Mist), Starman's primary antagonist and Starman's only major female character; and Mikaal, a minor character whose nature as an alien and relative tabula rasa makes his perspective a particularly interesting lens on constructed social norms. I will examine each character through the lenses of superhero archetypes and culture, Judith Butler's theories of performativity, and my own perspective as a reader; and ultimately address the question, "Is Starman a feminist comic?" 2) In the wealth of supernaturally-themed television currently airing, those programs centered on women protagonists display a curious emphasis on the ability to "sense" emotions or events and to communicate with a spirit world. Scripted dramas such as Medium, Ghost Whisperer, and the now-defunct Joan of Arcadia and Tru Calling are joined by reality-style programs including Life Among the Dead: Lisa Williams. By endowing female protagonists with supernatural abilities, these shows encourage an allegoric reading of women's power in contemporary America. The leads struggle with their gifts as both blessing and curse, as they negotiate their own experience of their powers, the professional demands they face, and the integration of these abilities with a white, middle-class, heterosexual domesticity. Notably, these women find greater overall satisfaction than powerful action heroines of the past. However, the feminist potential of these programs is truncated by the emphasis on traditionally feminine characteristics of communication, care, spirituality and service to others. This feminine supernatural genre is neither coincidental nor a simplistic reinforcement of gender ideology.
Rachel Sharon Edidin, Elizabeth Ellcessor
Feminism, Sex, and Gender•Conference Room 4• Monday, 10:00-11:15 a.m.
As of January 2007, the world population had passed the 6.5 billion mark, and many people feel we’re headed for trouble. Overpopulation has been linked to a whole series of possible catastrophes — global warming, resource depletion, and starvation. What should feminists do, who care about the future of the planet, and our future on it? If we need to change course, what should the new one be. The panelists will be giving short presentations on the problems associated with overpopulation, and their ideas for solutions, after which there will be time for discussion.
M: Nancy Jane Moore, Paula L. Fleming, Philip Edward Kaveny
Politics, Race, Class, and Religion•Conference Room 5• Monday, 10:00-11:15 a.m.
Last year's "Where is the Religious Left?" panel determined that the Religious Left is right here at WisCon. Now it's time for the second part of the conversation. What specific actions can we take both to make ourselves more visible and to work on the social-justice issues dear to our hearts and our faith traditions? How can we do this without falling into the "us/them" dichotomy the Right has used so destructively? In the current climate, is it even possible to avoid the politics of opposition?
M: Susan Palwick, Alyson L Abramowitz, Lynn Kendall, Jean Mornard, Pamela K. Taylor
- 218 Board and Card Games Kids Programming•611• Monday, 10:00-11:15 a.m.
Politics, Race, Class, and Religion•629• Monday, 10:00-11:15 a.m.
One of the many points of contention between "the faithful" and "the rest of us" is how to tell whether we are living a moral life. For many of "the faithful," this means living in accordance with the precepts of their religion—while to "the rest of us" the externalization of authority seems like an abdication of moral responsibility. For many of "the rest of us," the nearest thing to a moral compass would be some kind of individual test such as "if it feels good, do it" or "to have and to offer no guilt, no shame, and no regrets" or "the golden rule"—while such moral relativism seems like an abdication of religious responsibility to "the faithful." This panel will focus on the "moral compass" of SF characters who grapple with these questions, such as Lauren Oya Olamina of (the late) Octavia E. Butler's Parables books and Father Sandoz of Mary Doria Russell's Sparrow series. We will also consider SF characters who are seemingly oblivious to the issue such as the heroine of Suzy McKee Charnas' Holdfast series and the protagonist of Ken MacLeod's Cosmonaut Keep series.
M: lucy ann synk, Ian K. Hagemann, Isabel Schechter
- 220 Charting Interstitiality: Choosing stories for InterFictions Solo Presentations•634• Monday, 10:00-11:15 a.m. Delia Sherman
- 221 The SignOut Events•Wis/Cap• Monday, 11:30am-12:45pm Come and sign your works, come and get things signed, come and hang out and wind down before you leave. Alma Alexander, Charlie Anders, Elizabeth Bear, Steve Berman, Gary A. Braunbeck, Lori Devoti, L. Timmel Duchamp, Carol Emshwiller, Kelley Eskridge, Alicia Ellen Goranson, Nicola Griffith, Andrea D. Hairston, Rosemary Kirstein, Ellen Klages, Naomi Kritzer, Ellen Kushner, Kelly D. Link, Kimberley Long-Ewing, Will Ludwigsen, Laurie J. Marks, Sarah Monette, Nancy Jane Moore, Pat Murphy, Annalee Newitz, Nnedi Nkemdili Okorafor-Mbahu, Susan Palwick, M. Rickert, James P. Roberts, Benjamin Micah Rosenbaum, Patrick James Rothfuss, Rebecca K. Rowe, Melissa Scott, Kristine Smith, Lucy A. Snyder, Midori M. Snyder, Kassandra Grace Sojourner, Catherynne M. Valente, Kerrigan Valentine, JoSelle Vanderhooft, Élisabeth Vonarburg, Ysabeau S. Wilce, Terri Windling
- 222 Post–Mortem Events•Assembly• Monday, 1:00-2:15 p.m. The last panel of WisCon is your opportunity to let us know how things went for you. Committee members who are still able to walk will answer your questions and listen to your suggestions.
- 223 Mid Career Writers Gathering Solo Presentations•Senate A• Monday, 1:00-2:15 p.m. Pat Murphy
- 224 OddCon/Dead Cow Party Parties•629• Monday, 3:00 p.m.- 3:00 a.m.