Feminist SF studies by author (C): Difference between revisions

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; [[Pat Cadigan]].
; [[Pat Cadigan]].
* "Guest Editorial: Ten Years After." Asimov's SF Magazine, v. 17, no. 14 (Dec. 1993): pp. 4-9.
* "Guest Editorial: Ten Years After." Asimov's SF Magazine, v. 17, no. 14 (Dec. 1993): pp. 4-9.
* "Interview with Pat Cadigan." Journal Wired, Spring 1990, pp. 84-118.


; [[Karen Cadora]].
; [[Karen Cadora]].
* "Feminist Cyberpunk." Science Fiction Studies, v. 22, no. 3 (1995): pp. 357-372.  
* "Feminist Cyberpunk." Science Fiction Studies, v. 22, no. 3 (1995): pp. 357-372.  
; [[Leonie Caldecott]]
* "[[Naomi Mitchison]]" in Women of Our Century by Leonie Caldecott. London: Arile Books, 1984: pp. 11-34.
; Larry W. Caldwell.
* "Wells, Orwell, and [[Margaret Atwood|Atwood]] : (EPI)Logic and Eu/Utopia." Extrapolation v33, n4 (Winter 1992) : 333-45.
; [[Pat Califia]].
* "[[Monique Wittig]]: Lover of Words and Women," in Lesbian Tide [Los Angeles[, no. 7 (July-August 1977).
* "[[Samuel Delany]]: Setting Future Limits," The Advocate (# 332), Dec. 9 1982.
; [[Eleanor Cameron]].
* "High Fantasy: ''[[A Wizard of Earthsea]]''," The Horn Book Magazine 47 (April 1971): pp. 129-138.


; [[Lynette Carpenter]].
; [[Lynette Carpenter]].
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; [[Joan W. Carr]] (pseudonym for Sandy Sanderson)
; [[Joan W. Carr]] (pseudonym for Sandy Sanderson)
* "Editorial." Femizine, no. 1 (Summer 1954): p. 2.  
* "Editorial." Femizine, no. 1 (Summer 1954): p. 2.  
; [[Raphael Carter]].
* "'Hermaphrodite Protagonist': The Misreading of Bone Dance"


; [[Terry Castle]].
; [[Terry Castle]].
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; [[Suzy McKee Charnas]].
; [[Suzy McKee Charnas]].
* "Symposium on Women and Science Fiction," [interview with Charnas and others.] ''[[Khatru]]'', Nov. 1975.
* "Symposium on Women and Science Fiction," [interview with Charnas and others.] ''[[Khatru]]'', Nov. 1975.
* "Algol Interview: Suzy McKee Charnas," ''[[Algol]]'', Winter 1978-1979.
* "The Good Rape," Kolvir [fan magazine], Aug. 1978.
* "The Good Rape," Kolvir [fan magazine], Aug. 1978.
* "No Such Thing as Tearing Down Just a Little: Post-Holocaust Themes in Feminist SF." ''[[Janus]]'' Volume 6 (1980): pages 25-28.
* "No Such Thing as Tearing Down Just a Little: Post-Holocaust Themes in Feminist SF." ''[[Janus]]'' Volume 6 (1980): pages 25-28.
* "Interview." ''[[Sojourner]]'', June 1981.
* "Interview." ''[[Sojourner]]'', June 1981.
* "A Woman Appeared" in ''[[Future Females|Future Females: A Critical Anthology]]'' edited by [[Marleen S. Barr]] (Bowling Green State University Popular Press: 1981), pp. 103-108.
* "A Woman Appeared" in ''[[Future Females|Future Females: A Critical Anthology]]'' edited by [[Marleen S. Barr]] (Bowling Green State University Popular Press: 1981), pp. 103-108.
* Reading and Study Guide: Walk to the End of the World (Volume One of The Holdfast Chronicles). Available at http://www.suzymckeecharnas.com/Study_guide_walk_to_the_end.html


; [[Ying-Ying Chien]].
; [[Ying-Ying Chien]].
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==CL==
==CL==
; Clare, Mariette.
* Doris Lessing and Women's Appropriation of Science Fiction. Centre for Contemporary Cultural Studies, University of Birmingham, 1984.
; Clareson, Thomas.
; Clareson, Thomas.
* "Lost Worlds, Lost Races: A Pagan Princess of Their Very Own." Many Futures, Many Worlds. Ed. Thomas Clareson. Kent State: Kent State University Press, 1977.  
* "Lost Worlds, Lost Races: A Pagan Princess of Their Very Own." Many Futures, Many Worlds. Ed. Thomas Clareson. Kent State: Kent State University Press, 1977.  
; Clark, Jill.
* "Sally Gearhart: Spirituality vs. Politics," in Gay Community News (Boston Mass) 12/15/1979.


; Clark, Keith, and Denise Keller.
; Clark, Keith, and Denise Keller.
* "Future Sex: The Science Fiction Connection," Gay News (Pittsburgh, Pa.), March 6, 1976. (bibliography)  
* "Future Sex: The Science Fiction Connection," Gay News (Pittsburgh, Pa.), March 6, 1976. (bibliography)  
; Clark, Robert.
* "Angela Carter's Desire Machine." Women's Studies v. 14, no. 2 (1987): pp. 147-161.


; Clerc, Susan.
; Clerc, Susan.
* "Estrogen Brigades and 'Big Tits' Threads: Media Fandom Online and Off," in Wired Women: Gender and New Realities in Cyberspace, edited by Lynn Cherny and Elizabeth Reba Weise. Seattle: Seal Press, 1996. Pages 73-97. Discusses women online.
* "Estrogen Brigades and 'Big Tits' Threads: Media Fandom Online and Off," in Wired Women: Gender and New Realities in Cyberspace, edited by Lynn Cherny and Elizabeth Reba Weise. Seattle: Seal Press, 1996. Pages 73-97. Discusses women online.
* "DDEB, GATB, MPPB, and Ratboy: The X-Files Media Fandom, Online and Off." In 'Deny All Knowledge': Reading the X-Files, edited by David Lavery, Angela Huage, and Marla Cartwright. Syracuse: Syracuse University Press, 1996. Pages 36-51.
* "DDEB, GATB, MPPB, and Ratboy: The X-Files Media Fandom, Online and Off." In 'Deny All Knowledge': Reading the X-Files, edited by David Lavery, Angela Huage, and Marla Cartwright. Syracuse: Syracuse University Press, 1996. Pages 36-51.
; Clemente, Bill.
* "Of Women and Wonder: A Conversation with Suzy McKee Charnas." in in Women of Other Worlds: Excursions through Science Fiction and Feminism, edited by Helen Merrick and Tess Williams, University of Western Australia Press: Nedlands, 1999: pp. 60-81.


; Clery, E. J.
; Clery, E. J.
* Women's Gothic: From Clara Reeve to Mary Shelley (Northcote House Publishers Ltd. 2003; ISBN 0746311443)
* Women's Gothic: From Clara Reeve to Mary Shelley (Northcote House Publishers Ltd. 2003; ISBN 0746311443)
; Cline, Cheryl.
* "Feminist Perspective: The Female Man." Windhaven Volume 1, Number 1 (1977): pages 6-9.


; Clover, Carol J.
; Clover, Carol J.
Line 100: Line 66:


==CO==
==CO==
; Cogell, Elizabeth Cummins.
* ''[[Ursula K. Le Guin: A Primary and Secondary Bibliography]]''.
* "Setting as Analogue to Characterization in Ursula Le Guin," Extrapolation, v. 18, no. 2 (1977): pp. 131-141.
; Collings, M. R.
; Collings, M. R.
* "Words and Worlds: The Creation of a Fantasy Universe in Zelazny, Lee, and Anthony," in Scope of the Fantastic, edited by R. A. Collins and H. D. Pearce, Westport, CT: Greenwood, Press, 1985: pp. 173-182. (Discusses Tanith Lee, Roger Zelazny, and Piers Anthony.)  
* "Words and Worlds: The Creation of a Fantasy Universe in Zelazny, Lee, and Anthony," in Scope of the Fantastic, edited by R. A. Collins and H. D. Pearce, Westport, CT: Greenwood, Press, 1985: pp. 173-182. (Discusses Tanith Lee, Roger Zelazny, and Piers Anthony.)  
; Collins, Jerre.
* "Leaving Omelas: Questions of Faith and Understanding." Studies in Short Fiction v. 27 (Fall 1990): pp. 525-535.
; Collins, Robert A.
* "Tepper's 'Chinanga': A Parable of Deconstruction." Journal of the Fantastic in the Arts v.8, n.4 (#32): pp. 464-471 (1997). Discusses Beauty.
; Contoski, Victor.
* "Marge Piercy: A Vision of the Peaceable Kingdom." Modern Poetry Studies 8: pp. 205-216.


; Cook, Diane.
; Cook, Diane.
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* " Women's Rights and Women's Images in Science Fiction: A Selected Bibliography" (1994)  
* " Women's Rights and Women's Images in Science Fiction: A Selected Bibliography" (1994)  


; Cortiel, Jeanne.
* Demand My Writing: Joanna Russ / Feminism / Science Fiction Liverpool: Liverpool University Press, 1999, 254 pages.


; Counsil, Wendy.
; Counsil, Wendy.
* "The State of Feminism in Science Fiction: An Interview With Karen Joy Fowler, Lisa Goldstein, and Pat Murphy." Science Fiction Eye, v. 2, no. 2 (#7), Aug. 1990: pp. 20-31.  
* "The State of Feminism in Science Fiction: An Interview With Karen Joy Fowler, Lisa Goldstein, and Pat Murphy." Science Fiction Eye, v. 2, no. 2 (#7), Aug. 1990: pp. 20-31.  


; Cowperthwaite, David.
* Editor, Tanith Lee: Mistress of Delirium. Stockport: British Fantasy Society, 1993.


==CR==
==CR==
; [[Carmen Cramer]].
* "Anti-Automation: Marge Piercy's Fight in Woman on the Edge of Time." Critique (Atlanta, GA) v. 27 (Summer 1986), pp. 229-233.


; [[Iain Crawford]].
* "Wading Through Slaughter: John Hampden, Thomas Gray, and Mary Shelley's Frankenstein." Studies in the Novel v. 20 (Fall 1988): pp. 249-261.


; [[Barbara Creed]].
; [[Barbara Creed]].
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* ''[[Recreational Terror|Recreational Terror: Women and the Pleasures of Horror Film Viewing]]''
* ''[[Recreational Terror|Recreational Terror: Women and the Pleasures of Horror Film Viewing]]''


; [[Andy Croft]].
* "Worlds Without End Foisted Upon the Future -- Some Antecedents of Nineteen Eighty-Four" in ''Inside the Myth: Orwell, Views from the Left'', edited by Christopher Norris (London: 1984) (on [[Burdekin]]'s ''[[Swastika Night]]'' )


; [[Janice C. Crosby]].
; [[Janice C. Crosby]].
* ''[[Cauldron of Changes|Cauldron of Changes: Feminist Spirituality in Fantastic Fiction]]'' (McFarland: 2000, ISBN 0786408480). Studies on [[Marion Zimmer Bradley]], [[Kim Chernin]], [[Alice Walker]], [[Mercedes Lackey]], [[Patricia Kennealy]], [[Gael Baudino]], [[Octavia Butler]], [[Lynn Abbey]], [[Joan Vinge]], [[Toni Morrison]], [[Gloria Naylor]], [[Ntozake Shange]], and [[Starhawk]].  
* ''[[Cauldron of Changes|Cauldron of Changes: Feminist Spirituality in Fantastic Fiction]]'' (McFarland: 2000, ISBN 0786408480). Studies on [[Marion Zimmer Bradley]], [[Kim Chernin]], [[Alice Walker]], [[Mercedes Lackey]], [[Patricia Kennealy]], [[Gael Baudino]], [[Octavia Butler]], [[Lynn Abbey]], [[Joan Vinge]], [[Toni Morrison]], [[Gloria Naylor]], [[Ntozake Shange]], and [[Starhawk]].  
; [[Michael S. Cross]]
* "Fiction." Library Journal, 102 (Aug. 1977): p. 1982. Review of Octavia Butler, ''[[Mind of My Mind]]''.


; [[Diane Griffin Crowder]].
; [[Diane Griffin Crowder]].
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* Private Uses of Cyberspace: Women, Desire, and Fan Culture. MIT Media-In-Transition Conference, Cambridge, Massachusetts, October 8, 1999. Available at http://media-in-transition.mit.edu/articles/index_cumberland.html. About fan fiction.  
* Private Uses of Cyberspace: Women, Desire, and Fan Culture. MIT Media-In-Transition Conference, Cambridge, Massachusetts, October 8, 1999. Available at http://media-in-transition.mit.edu/articles/index_cumberland.html. About fan fiction.  


; [[Elizabeth Cummins]].
* "The Land-Lady's Homebirth: Revisiting Ursula K. Le Guin's Worlds." Science-Fiction Studies v. 17 (July 1990): pp. 153-166.
* Understanding Ursula K. Le Guin. Rev. ed., 1993: University of South Carolina Press.


; [[Amy Cuomo]].
; [[Amy Cuomo]].

Revision as of 10:08, 7 November 2010

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z



CA

Pat Cadigan.
  • "Guest Editorial: Ten Years After." Asimov's SF Magazine, v. 17, no. 14 (Dec. 1993): pp. 4-9.
Karen Cadora.
  • "Feminist Cyberpunk." Science Fiction Studies, v. 22, no. 3 (1995): pp. 357-372.
Lynette Carpenter.
Helen Carr
  • Editor, From My Guy to Sci-Fi: Genre and Women's Writing in the Postmodern World. London: Pandora Press, 1989.
Joan W. Carr (pseudonym for Sandy Sanderson)
  • "Editorial." Femizine, no. 1 (Summer 1954): p. 2.
Terry Castle.
  • The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny

CH

Edgar L. Chapman.
Suzy McKee Charnas.
  • "Symposium on Women and Science Fiction," [interview with Charnas and others.] Khatru, Nov. 1975.
  • "The Good Rape," Kolvir [fan magazine], Aug. 1978.
  • "No Such Thing as Tearing Down Just a Little: Post-Holocaust Themes in Feminist SF." Janus Volume 6 (1980): pages 25-28.
  • "Interview." Sojourner, June 1981.
  • "A Woman Appeared" in Future Females: A Critical Anthology edited by Marleen S. Barr (Bowling Green State University Popular Press: 1981), pp. 103-108.
Ying-Ying Chien.
  • "From Utopian to Dystopian World: Two Faces of Feminism in Contemporary Taiwanese Women's Fiction." World Literature Today, v.68 (Winter 1994), pages 35-42.

CI

Mirna Ciconi.
Kathleen Cioffi.

CL

Clareson, Thomas.
  • "Lost Worlds, Lost Races: A Pagan Princess of Their Very Own." Many Futures, Many Worlds. Ed. Thomas Clareson. Kent State: Kent State University Press, 1977.
Clark, Keith, and Denise Keller.
  • "Future Sex: The Science Fiction Connection," Gay News (Pittsburgh, Pa.), March 6, 1976. (bibliography)
Clerc, Susan.
  • "Estrogen Brigades and 'Big Tits' Threads: Media Fandom Online and Off," in Wired Women: Gender and New Realities in Cyberspace, edited by Lynn Cherny and Elizabeth Reba Weise. Seattle: Seal Press, 1996. Pages 73-97. Discusses women online.
  • "DDEB, GATB, MPPB, and Ratboy: The X-Files Media Fandom, Online and Off." In 'Deny All Knowledge': Reading the X-Files, edited by David Lavery, Angela Huage, and Marla Cartwright. Syracuse: Syracuse University Press, 1996. Pages 36-51.
Clery, E. J.
  • Women's Gothic: From Clara Reeve to Mary Shelley (Northcote House Publishers Ltd. 2003; ISBN 0746311443)
Clover, Carol J.
Clute, John, and Peter Nicholls.
  • with Peter Nicholls, The Encyclopedia of Science Fiction (1993). Relevant essays include:
    • "Feminism"
    • "Sex"
    • "Women as Portrayed in Science Fiction"
    • "Women SF Writers"

CO

Collings, M. R.
  • "Words and Worlds: The Creation of a Fantasy Universe in Zelazny, Lee, and Anthony," in Scope of the Fantastic, edited by R. A. Collins and H. D. Pearce, Westport, CT: Greenwood, Press, 1985: pp. 173-182. (Discusses Tanith Lee, Roger Zelazny, and Piers Anthony.)
Cook, Diane.
  • "Yes, Virginia, there's always been Women's Science Fiction ... Feminist, even." Contrary Modes: Proceedings of the World Science Fiction Conference, Melbourne, Australia, 1985. Editors, J. Blackford & R. Blackford et al. Melbourne: Ebony Books: pp. 133-145.
Cooper, Susan.
  • "Womenfolk and Fairy Tales" in New York Times Book Review, 4/13/1975
Corcos, Christine Alice.
  • " Women's Rights and Women's Images in Science Fiction: A Selected Bibliography" (1994)


Counsil, Wendy.
  • "The State of Feminism in Science Fiction: An Interview With Karen Joy Fowler, Lisa Goldstein, and Pat Murphy." Science Fiction Eye, v. 2, no. 2 (#7), Aug. 1990: pp. 20-31.


CR

Barbara Creed.
Isabel Cristina.


Janice C. Crosby.
Diane Griffin Crowder.
  • "Separatism and Feminist Utopian Fiction." Sexual Practice, Textual Theory: Lesbian Cultural Criticism, edited by Susan J. Wolfe and Julia Penelope. Cambridge, MA: Blackwell, 1993: pp. 237-250.

CU

Sharon Cumberland.


Amy Cuomo.
  • "The Scientific Appropriation of Female Reproductive Power in 'Junior.'" Extrapolation v. 39, no. 4 (Winter 1998), pp. 352-363.
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