Scholarship and criticism on Jewelle Gomez: Difference between revisions
Jump to navigation
Jump to search
(e. brinks) |
(helford) |
||
| Line 5: | Line 5: | ||
* Blood Read: The Vampire as Metaphor in Contemporary Culture (1997, Univ. of Pennsylvania Press); ISBN 0812216288. Although not explicitly focused on gender, this collection of essays includes essays on Suzy McKee Charnas and Jewelle Gomez, among others. | * Blood Read: The Vampire as Metaphor in Contemporary Culture (1997, Univ. of Pennsylvania Press); ISBN 0812216288. Although not explicitly focused on gender, this collection of essays includes essays on Suzy McKee Charnas and Jewelle Gomez, among others. | ||
; [[Elyce Rae Helford]]. | |||
* "The Future of Political Community: Race, Ethnicity, and Class Privilege in Novels by Piercy, Gomez, and Misha", ''Utopian Studies'', v.12, n.2 (2001), pp.124-142. | |||
{{DEFAULTSORT:Gomez}} | {{DEFAULTSORT:Gomez}} | ||
Revision as of 13:06, 8 November 2010
- "Unfamiliar Ties: Lesbian Constructions of Home and Family in Jeanette Winterson's Oranges Are Not the Only Fruit and Jewelle Gomez's The Gilda Stories", Homemaking: Women Writers and the Politics and …
- Joan Gordon and Veronica Hollinger, editors.
- Blood Read: The Vampire as Metaphor in Contemporary Culture (1997, Univ. of Pennsylvania Press); ISBN 0812216288. Although not explicitly focused on gender, this collection of essays includes essays on Suzy McKee Charnas and Jewelle Gomez, among others.
- "The Future of Political Community: Race, Ethnicity, and Class Privilege in Novels by Piercy, Gomez, and Misha", Utopian Studies, v.12, n.2 (2001), pp.124-142.