Scholarship and criticism on Eleanor Arnason: Difference between revisions
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Revision as of 10:29, 9 November 2010
- "The Great Divorce: Fictions of Feminist Desires", in Feminism, Utopia, and Narrative, ed. Libby F. Jones, pp. 85-99. University of Tennessee Press, 1990.
- "Ring of Swords: A Reappreciation", The New York Review of Science Fiction, v. 16, n. 8 (April 2004), p. 1, 8-10.
- "An Arnason Note" in Last Homely Hearth #8 (August, 1981).
- editor, Women of Vision: Essays By Women Writing Science Fiction. New York: St. Martin's Press, 1988. Includes essays by Ursula K. Le Guin, Virginia Kidd, Anne McCaffrey, Patricia C. Hodgell, Alice Sheldon (James Tiptree), Suzette Haden Elgin, Lee Killough, Marion Zimmer Bradley, Eleanor Arnason, Joan D. Vinge, Pamela Sargent, and Suzy McKee Charnas.
- "Reconsiderations of the Separatist Paradigm in Recent Feminist Science Fiction." Science Fiction tudies, v.19, n.1 (March 1992): pp. 32-48.
- "Incite/On-Site/Insight: Implications of the Other in Eleanor Arnason's Science Fiction" in Future Females, The Next Generation: New Voices and Velocities in Feminist Science Fiction Criticism, ed. Marleen S. Barr, pp. 247-258. Rowman & Littlefield, 2000.
- 1995. "Vampires and Aliens: Pam Keesey and Eleanor Arnason." Lavender Lifestyles (1995/11/24), pp.2-6.
- "The Queer as Traitor, the Traitor as Queer: Denaturalizing Concepts of Nationhood, Species, and Sexuality", Chapter 7 in Flashes of the Fantastic: Selected Essays from The War of the Worlds Centennial, Nineteenth International Conference on the Fantastic in the Arts, ed. by David Ketterer. 1998. Greenwood Press: 2004. ISBN 0313316074. pp. 77-92.
- "I intend in this chapter to demonstrate the ways in which two examples of speculative fiction denaturalize Western discourses of nationhood, species, and sexuality. ... This chapter examines the roles of the two traitors, Estraven and Nicholas Sanders, in, respectively, Ursula K. Le Guin's The Left Hand of Darkness and Eleanor Arnason's Ring of Swords (1993) in order to reveal how and to what extent works of speculative fiction are able to ironically replay the linkage between queerness and treachery in order to interrogate the naturalization of the concepts of nationhood, species, and, in particular, sexuality."