Dissertations and theses in feminist SF studies: Difference between revisions
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* ''[[Border Crossings|Border Crossings: The Emergence of Feminist Science Fiction as a Genre]]''. Dissertation. [[ | * [[Margo Axsom]]. ''[[Border Crossings|Border Crossings: The Emergence of Feminist Science Fiction as a Genre]]''. Dissertation. | ||
* [[Sylvie Berard]]. (1995) "Je pense "or" je suis. Discours et identite dans la SF cote femmes. D'U.K. Le Guin a E. Vonarburg." [I Think Theref[or]e I Am. Discourse and Identity in SF on the Women's Side. From U. K. Le Guin to E. Vonarburg.]. Ph.D. Dissertation, Universite du Quebec a Montreal, 1995. | |||
* [[Zoe Brennan]]. (1994) "Visions of Women, Technology and the Future in Feminist Science Fiction." Submitted by Zoe Brennan to the University of Exeter as a dissertation towards the degree of Master of Arts by advanced study in Women's Studies, September 1994. Abstract available online at http://www.ex.ac.uk/ws/Abstracts/AbBrennan.html Discusses a variety of works including Angela Carter's Heroes and Villains. | |||
* [[E. M. Wulff]]. (2008) [http://ses.library.usyd.edu.au/handle/2123/2224 "Exploring Alternative Notions of the Heroic in Feminist Science Fiction"] (2008 thesis) | |||
:: Abstract: In this thesis I discuss feminist science fiction as a literature that explores a variety of alternative social realities. This provides the site to explore alternative notions of the heroic inspired by feminist critiques of the traditional heroic, which come from feminist philosophical, as well as literary critical sources. Alternative notions of the heroic offer a shift in perspective from a specific heroic identity to the events the characters are involved in. The shift to events is made precisely because that is where the temporal is located and dynamic change occurs. Events are where 'becoming' alternatively heroic occurs: in the interaction between a character and the environment. | |||
Revision as of 18:10, 13 November 2010
- Margo Axsom. Border Crossings: The Emergence of Feminist Science Fiction as a Genre. Dissertation.
- Sylvie Berard. (1995) "Je pense "or" je suis. Discours et identite dans la SF cote femmes. D'U.K. Le Guin a E. Vonarburg." [I Think Theref[or]e I Am. Discourse and Identity in SF on the Women's Side. From U. K. Le Guin to E. Vonarburg.]. Ph.D. Dissertation, Universite du Quebec a Montreal, 1995.
- Zoe Brennan. (1994) "Visions of Women, Technology and the Future in Feminist Science Fiction." Submitted by Zoe Brennan to the University of Exeter as a dissertation towards the degree of Master of Arts by advanced study in Women's Studies, September 1994. Abstract available online at http://www.ex.ac.uk/ws/Abstracts/AbBrennan.html Discusses a variety of works including Angela Carter's Heroes and Villains.
- E. M. Wulff. (2008) "Exploring Alternative Notions of the Heroic in Feminist Science Fiction" (2008 thesis)
- Abstract: In this thesis I discuss feminist science fiction as a literature that explores a variety of alternative social realities. This provides the site to explore alternative notions of the heroic inspired by feminist critiques of the traditional heroic, which come from feminist philosophical, as well as literary critical sources. Alternative notions of the heroic offer a shift in perspective from a specific heroic identity to the events the characters are involved in. The shift to events is made precisely because that is where the temporal is located and dynamic change occurs. Events are where 'becoming' alternatively heroic occurs: in the interaction between a character and the environment.