Essays by Ursula K. Le Guin: Difference between revisions
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* "[[The Space Crone]]" (1976) (in ''Dancing at the Edge of the World'') | * "[[The Space Crone]]" (1976) (in ''Dancing at the Edge of the World'') | ||
* "[[Is Gender Necessary? Redux]]" (1976) | * "[[Is Gender Necessary? Redux]]" (1976) (in ''Dancing at the Edge of the World'') | ||
* "[[Moral and Ethical Implications of Family Planning]]" (1978) | * "[[Moral and Ethical Implications of Family Planning]]" (1978) (in ''Dancing at the Edge of the World'') | ||
* "[[It Was a Dark and Stormy Night]]" (1979) | * "[[It Was a Dark and Stormy Night]]" (1979) (in ''Dancing at the Edge of the World'') | ||
* "Working on 'The Lathe'" (1979) | * "Working on 'The Lathe'" (1979) (in ''Dancing at the Edge of the World'') | ||
* "[[Some Thoughts on Narrative]]" (1980) | * "[[Some Thoughts on Narrative]]" (1980) (in ''Dancing at the Edge of the World'') | ||
* "World-Making" (1981) | * "World-Making" (1981) (in ''Dancing at the Edge of the World'') | ||
* "Hunger" (1981) | * "Hunger" (1981) (in ''Dancing at the Edge of the World'') | ||
* "Place Names" (1981) | * "Place Names" (1981) (in ''Dancing at the Edge of the World'') | ||
* "The Princess" (1982) | * "The Princess" (1982) (in ''Dancing at the Edge of the World'') | ||
* "[[A Non-Euclidean View of California as a Cold Place to Be]]" (1982) | * "[[A Non-Euclidean View of California as a Cold Place to Be]]" (1982) (in ''Dancing at the Edge of the World'') | ||
* "Facing It" (1982) | * "Facing It" (1982) (in ''Dancing at the Edge of the World'') | ||
* "Reciprocity of Prose and Poetry" (1983) | * "Reciprocity of Prose and Poetry" (1983) (in ''Dancing at the Edge of the World'') | ||
* "A Left-Handed Commencement Address" (1983) | * "A Left-Handed Commencement Address" (1983) (in ''Dancing at the Edge of the World'') | ||
* "Along the Platte" (1983) | * "Along the Platte" (1983) (in ''Dancing at the Edge of the World'') | ||
* "Whose Lathe?" (1984) | * "Whose Lathe?" (1984) (in ''Dancing at the Edge of the World'') | ||
* "The Woman Without Answers" (1984) | * "The Woman Without Answers" (1984) (in ''Dancing at the Edge of the World'') | ||
* "The Second Report of the Shipwrecked Foreigner to the Kadanh of Derb" (1984) | * "The Second Report of the Shipwrecked Foreigner to the Kadanh of Derb" (1984) (in ''Dancing at the Edge of the World'') | ||
* "Room 9, Car 1430" (1985) | * "Room 9, Car 1430" (1985) (in ''Dancing at the Edge of the World'') | ||
* "Theodora" (1985) | * "Theodora" (1985) (in ''Dancing at the Edge of the World'') | ||
* "Science Fiction and the Future" (1985) | * "Science Fiction and the Future" (1985) (in ''Dancing at the Edge of the World'') | ||
* "The Only Good Author?" (1985) | * "The Only Good Author?" (1985) (in ''Dancing at the Edge of the World'') | ||
* "[[Bryn Mawr Commencement Address]]" (1986) | * "[[Bryn Mawr Commencement Address]]" (1986) (in ''Dancing at the Edge of the World'') | ||
* "Woman / Wilderness" (1986) | * "Woman / Wilderness" (1986) (in ''Dancing at the Edge of the World'') | ||
* "[[The Carrier Bag Theory of Fiction]]" (1986) | * "[[The Carrier Bag Theory of Fiction]]" (1986) (in ''Dancing at the Edge of the World'') | ||
* "[[Heroes (Le Guin essay)|Heroes]]" (1986) | * "[[Heroes (Le Guin essay)|Heroes]]" (1986) (in ''Dancing at the Edge of the World'') | ||
* "[[Prospects for Women in Writing]]" (1986) | * "[[Prospects for Women in Writing]]" (1986) (in ''Dancing at the Edge of the World'') | ||
* "Text, Silence, Performance" (1986) | * "Text, Silence, Performance" (1986) (in ''Dancing at the Edge of the World'') | ||
* "Who is Responsible?" (1987) | * "Who is Responsible?" (1987) (in ''Dancing at the Edge of the World'') | ||
* "Conflict" (1987) | * "Conflict" (1987) (in ''Dancing at the Edge of the World'') | ||
* "Where Do You Get Your Ideas From?" (1987) | * "Where Do You Get Your Ideas From?" (1987) (in ''Dancing at the Edge of the World'') | ||
* "Over the Hills and a Great Way Off" (1988) | * "Over the Hills and a Great Way Off" (1988) (in ''Dancing at the Edge of the World'') | ||
* "[[The Fisherwoman's Daughter]]" (1988) | * "[[The Fisherwoman's Daughter]]" (1988) (in ''Dancing at the Edge of the World'') | ||
==Collections== | ==Collections== | ||
Revision as of 19:43, 6 January 2011
Chronological
- 2008
- "Staying Awake: Notes on the Alleged Decline of Reading", Harper's Magazine (February 2008, pp. 33-38)
By title
- "Staying Awake: Notes on the Alleged Decline of Reading", Harper's Magazine (February 2008, pp.33-38)
- "Assumptions About Fantasy" (in Cheek and Jowl)
- "The Wilderness Within" (in Cheek and Jowl)
- "Re-Reading Peter Rabbit" (in Cheek and Jowl)
- "The Critics, the Monsters, and the Fantasists" (in Cheek and Jowl)
- "Cheek by Jowl: Animals in Children's Literature" (in Cheek and Jowl)
- "The Young Adult in the YA" (in Cheek and Jowl)
- "A Message About Messages" (in Cheek and Jowl)
- "Why Kids Want Fantasy" (in Cheek and Jowl)
- "Introducing Myself" (in The Wave in the Mind)
- "Being Taken for Granite" (in The Wave in the Mind)
- "Indian Uncles" (in The Wave in the Mind)
- "My Libraries" (in The Wave in the Mind)
- "My Island" (in The Wave in the Mind)
- "On the Frontier" (in The Wave in the Mind)
- "All Happy Families" (in The Wave in the Mind)
- "Things Not Actually Present: On The Book of Fantasy and J. L. Borges" (in The Wave in the Mind)
- "Reading Young, Reading Old: Mark Twain's Diaries of Adam and Eve" (in The Wave in the Mind)
- "Thinking About Cordwainer Smith" (in The Wave in the Mind)
- "Stress-Rhythm in Poetry and Prose" (in The Wave in the Mind)
- "Rhythmic Pattern in The Lord of the Rings" (in The Wave in the Mind)
- "The Wilderness Within: The Sleeping Beauty and 'The Poacher'" (in The Wave in the Mind)
- "Off the Page: Loud Cows: A Talk and a Poem About Reading Aloud" (in The Wave in the Mind)
- "Fact and/or/plus Fiction" (in The Wave in the Mind)
- "Award and Gender" (in The Wave in the Mind)
- "On Genetic Determinism" (in The Wave in the Mind)
- "About Feet" (in The Wave in the Mind)
- "Dogs, Cats, and Dancers: Thoughts About Beauty" (in The Wave in the Mind)
- "Collectors, Rhymesters, and Drummers" (in The Wave in the Mind)
- "Telling Is Listening" (in The Wave in the Mind)
- "The Operating Instructions" (in The Wave in the Mind)
- "'A War Without End'" (in The Wave in the Mind)
- "A Matter of Trust" (in The Wave in the Mind)
- "The Writer and the Character" (in The Wave in the Mind)
- "Unquestioned Assumptions" (in The Wave in the Mind)
- "Prides: An Essay on Writing Workshops" (in The Wave in the Mind)
- "The Question I Get Asked Most Often" (in The Wave in the Mind)
- "Old Body Not Writing" (in The Wave in the Mind)
- "The Writer on, and at, Her Work" (in The Wave in the Mind)
- "The Sound of Your Writing" with Exercise One: Being Gorgeous (in Steering the Craft)
- "Punctuation" with Exercise Two: I Am García Márquez (in Steering the Craft)
- "Sentence Length and Complex Syntax" with Exercise Three: Short and Long (in Steering the Craft)
- "Repetition" with Exercise Four: Again and Again and Again (in Steering the Craft)
- "Adjective and Adverb" with Exercise Five: Chastity (in Steering the Craft)
- "Subject Pronoun and Verb" with Exercise Six: The Old Woman (in Steering the Craft)
- "Point of View and Voice" with Exercise Seven: POV (in Steering the Craft)
- "Changing Point of View" with Exercise Eight: Changing Voices (in Steering the Craft)
- "Indirect Narration, or What Tells" with Exercise Nine: Telling It Slant (in Steering the Craft)
- "Crowding and Leaping" with Exercise Ten: A Terrible Thing to Do (in Steering the Craft)
- "The Space Crone" (1976) (in Dancing at the Edge of the World)
- "Is Gender Necessary? Redux" (1976) (in Dancing at the Edge of the World)
- "Moral and Ethical Implications of Family Planning" (1978) (in Dancing at the Edge of the World)
- "It Was a Dark and Stormy Night" (1979) (in Dancing at the Edge of the World)
- "Working on 'The Lathe'" (1979) (in Dancing at the Edge of the World)
- "Some Thoughts on Narrative" (1980) (in Dancing at the Edge of the World)
- "World-Making" (1981) (in Dancing at the Edge of the World)
- "Hunger" (1981) (in Dancing at the Edge of the World)
- "Place Names" (1981) (in Dancing at the Edge of the World)
- "The Princess" (1982) (in Dancing at the Edge of the World)
- "A Non-Euclidean View of California as a Cold Place to Be" (1982) (in Dancing at the Edge of the World)
- "Facing It" (1982) (in Dancing at the Edge of the World)
- "Reciprocity of Prose and Poetry" (1983) (in Dancing at the Edge of the World)
- "A Left-Handed Commencement Address" (1983) (in Dancing at the Edge of the World)
- "Along the Platte" (1983) (in Dancing at the Edge of the World)
- "Whose Lathe?" (1984) (in Dancing at the Edge of the World)
- "The Woman Without Answers" (1984) (in Dancing at the Edge of the World)
- "The Second Report of the Shipwrecked Foreigner to the Kadanh of Derb" (1984) (in Dancing at the Edge of the World)
- "Room 9, Car 1430" (1985) (in Dancing at the Edge of the World)
- "Theodora" (1985) (in Dancing at the Edge of the World)
- "Science Fiction and the Future" (1985) (in Dancing at the Edge of the World)
- "The Only Good Author?" (1985) (in Dancing at the Edge of the World)
- "Bryn Mawr Commencement Address" (1986) (in Dancing at the Edge of the World)
- "Woman / Wilderness" (1986) (in Dancing at the Edge of the World)
- "The Carrier Bag Theory of Fiction" (1986) (in Dancing at the Edge of the World)
- "Heroes" (1986) (in Dancing at the Edge of the World)
- "Prospects for Women in Writing" (1986) (in Dancing at the Edge of the World)
- "Text, Silence, Performance" (1986) (in Dancing at the Edge of the World)
- "Who is Responsible?" (1987) (in Dancing at the Edge of the World)
- "Conflict" (1987) (in Dancing at the Edge of the World)
- "Where Do You Get Your Ideas From?" (1987) (in Dancing at the Edge of the World)
- "Over the Hills and a Great Way Off" (1988) (in Dancing at the Edge of the World)
- "The Fisherwoman's Daughter" (1988) (in Dancing at the Edge of the World)
Collections
- Dancing at the Edge of the World: Thoughts on Words, Women, Places (1989, Grove Press)
- The Language of the Night: Essays on Fantasy and Science Fiction (1979, ed. Susan Wood, G.P. Putnam; 1989, Women's Press; 2nd edition published in 1992 by HarperCollins)
- Steering the Craft: Exercises and Discussions on Story Writing for the Lone Navigator or the Mutinous Crew (1998, Eight Mountain)
- The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination (2004, Shambhala), winner 2005 Locus Award, best nonfiction
- Cheek by Jowl: Talks and Essays on How and Why Fantasy Matters (Aqueduct Press, April 2009) (winner, Locus Award, 2010, "Best Non-Fiction / Art Book".