Essays by Ursula K. Le Guin: Difference between revisions

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* "[[The Space Crone]]" (1976) (in ''Dancing at the Edge of the World'')
* "[[The Space Crone]]" (1976) (in ''Dancing at the Edge of the World'')
* "[[Is Gender Necessary? Redux]]" (1976)
* "[[Is Gender Necessary? Redux]]" (1976) (in ''Dancing at the Edge of the World'')
* "[[Moral and Ethical Implications of Family Planning]]" (1978)
* "[[Moral and Ethical Implications of Family Planning]]" (1978) (in ''Dancing at the Edge of the World'')
* "[[It Was a Dark and Stormy Night]]" (1979)
* "[[It Was a Dark and Stormy Night]]" (1979) (in ''Dancing at the Edge of the World'')
* "Working on 'The Lathe'" (1979)
* "Working on 'The Lathe'" (1979) (in ''Dancing at the Edge of the World'')
* "[[Some Thoughts on Narrative]]" (1980)
* "[[Some Thoughts on Narrative]]" (1980) (in ''Dancing at the Edge of the World'')
* "World-Making" (1981)
* "World-Making" (1981) (in ''Dancing at the Edge of the World'')
* "Hunger" (1981)
* "Hunger" (1981) (in ''Dancing at the Edge of the World'')
* "Place Names" (1981)
* "Place Names" (1981) (in ''Dancing at the Edge of the World'')
* "The Princess" (1982)
* "The Princess" (1982) (in ''Dancing at the Edge of the World'')
* "[[A Non-Euclidean View of California as a Cold Place to Be]]" (1982)
* "[[A Non-Euclidean View of California as a Cold Place to Be]]" (1982) (in ''Dancing at the Edge of the World'')
* "Facing It" (1982)
* "Facing It" (1982) (in ''Dancing at the Edge of the World'')
* "Reciprocity of Prose and Poetry" (1983)
* "Reciprocity of Prose and Poetry" (1983) (in ''Dancing at the Edge of the World'')
* "A Left-Handed Commencement Address" (1983)
* "A Left-Handed Commencement Address" (1983) (in ''Dancing at the Edge of the World'')
* "Along the Platte" (1983)
* "Along the Platte" (1983) (in ''Dancing at the Edge of the World'')
* "Whose Lathe?" (1984)
* "Whose Lathe?" (1984) (in ''Dancing at the Edge of the World'')
* "The Woman Without Answers" (1984)
* "The Woman Without Answers" (1984) (in ''Dancing at the Edge of the World'')
* "The Second Report of the Shipwrecked Foreigner to the Kadanh of Derb" (1984)
* "The Second Report of the Shipwrecked Foreigner to the Kadanh of Derb" (1984) (in ''Dancing at the Edge of the World'')
* "Room 9, Car 1430" (1985)
* "Room 9, Car 1430" (1985) (in ''Dancing at the Edge of the World'')
* "Theodora" (1985)
* "Theodora" (1985) (in ''Dancing at the Edge of the World'')
* "Science Fiction and the Future" (1985)
* "Science Fiction and the Future" (1985) (in ''Dancing at the Edge of the World'')
* "The Only Good Author?" (1985)
* "The Only Good Author?" (1985) (in ''Dancing at the Edge of the World'')
* "[[Bryn Mawr Commencement Address]]" (1986)
* "[[Bryn Mawr Commencement Address]]" (1986) (in ''Dancing at the Edge of the World'')
* "Woman / Wilderness" (1986)
* "Woman / Wilderness" (1986) (in ''Dancing at the Edge of the World'')
* "[[The Carrier Bag Theory of Fiction]]" (1986)
* "[[The Carrier Bag Theory of Fiction]]" (1986) (in ''Dancing at the Edge of the World'')
* "[[Heroes (Le Guin essay)|Heroes]]" (1986)
* "[[Heroes (Le Guin essay)|Heroes]]" (1986) (in ''Dancing at the Edge of the World'')
* "[[Prospects for Women in Writing]]" (1986)  
* "[[Prospects for Women in Writing]]" (1986)  (in ''Dancing at the Edge of the World'')
* "Text, Silence, Performance" (1986)
* "Text, Silence, Performance" (1986) (in ''Dancing at the Edge of the World'')
* "Who is Responsible?" (1987)
* "Who is Responsible?" (1987) (in ''Dancing at the Edge of the World'')
* "Conflict" (1987)
* "Conflict" (1987) (in ''Dancing at the Edge of the World'')
* "Where Do You Get Your Ideas From?" (1987)
* "Where Do You Get Your Ideas From?" (1987) (in ''Dancing at the Edge of the World'')
* "Over the Hills and a Great Way Off" (1988)
* "Over the Hills and a Great Way Off" (1988) (in ''Dancing at the Edge of the World'')
* "[[The Fisherwoman's Daughter]]" (1988)
* "[[The Fisherwoman's Daughter]]" (1988) (in ''Dancing at the Edge of the World'')


==Collections==
==Collections==

Revision as of 19:43, 6 January 2011

Chronological

2008



By title


  • "Assumptions About Fantasy" (in Cheek and Jowl)
  • "The Wilderness Within" (in Cheek and Jowl)
  • "Re-Reading Peter Rabbit" (in Cheek and Jowl)
  • "The Critics, the Monsters, and the Fantasists" (in Cheek and Jowl)
  • "Cheek by Jowl: Animals in Children's Literature" (in Cheek and Jowl)
  • "The Young Adult in the YA" (in Cheek and Jowl)
  • "A Message About Messages" (in Cheek and Jowl)
  • "Why Kids Want Fantasy" (in Cheek and Jowl)


  • "Introducing Myself" (in The Wave in the Mind)
  • "Being Taken for Granite" (in The Wave in the Mind)
  • "Indian Uncles" (in The Wave in the Mind)
  • "My Libraries" (in The Wave in the Mind)
  • "My Island" (in The Wave in the Mind)
  • "On the Frontier" (in The Wave in the Mind)
  • "All Happy Families" (in The Wave in the Mind)
  • "Things Not Actually Present: On The Book of Fantasy and J. L. Borges" (in The Wave in the Mind)
  • "Reading Young, Reading Old: Mark Twain's Diaries of Adam and Eve" (in The Wave in the Mind)
  • "Thinking About Cordwainer Smith" (in The Wave in the Mind)
  • "Stress-Rhythm in Poetry and Prose" (in The Wave in the Mind)
  • "Rhythmic Pattern in The Lord of the Rings" (in The Wave in the Mind)
  • "The Wilderness Within: The Sleeping Beauty and 'The Poacher'" (in The Wave in the Mind)
  • "Off the Page: Loud Cows: A Talk and a Poem About Reading Aloud" (in The Wave in the Mind)
  • "Fact and/or/plus Fiction" (in The Wave in the Mind)
  • "Award and Gender" (in The Wave in the Mind)
  • "On Genetic Determinism" (in The Wave in the Mind)
  • "About Feet" (in The Wave in the Mind)
  • "Dogs, Cats, and Dancers: Thoughts About Beauty" (in The Wave in the Mind)
  • "Collectors, Rhymesters, and Drummers" (in The Wave in the Mind)
  • "Telling Is Listening" (in The Wave in the Mind)
  • "The Operating Instructions" (in The Wave in the Mind)
  • "'A War Without End'" (in The Wave in the Mind)
  • "A Matter of Trust" (in The Wave in the Mind)
  • "The Writer and the Character" (in The Wave in the Mind)
  • "Unquestioned Assumptions" (in The Wave in the Mind)
  • "Prides: An Essay on Writing Workshops" (in The Wave in the Mind)
  • "The Question I Get Asked Most Often" (in The Wave in the Mind)
  • "Old Body Not Writing" (in The Wave in the Mind)
  • "The Writer on, and at, Her Work" (in The Wave in the Mind)


  • "The Sound of Your Writing" with Exercise One: Being Gorgeous (in Steering the Craft)
  • "Punctuation" with Exercise Two: I Am García Márquez (in Steering the Craft)
  • "Sentence Length and Complex Syntax" with Exercise Three: Short and Long (in Steering the Craft)
  • "Repetition" with Exercise Four: Again and Again and Again (in Steering the Craft)
  • "Adjective and Adverb" with Exercise Five: Chastity (in Steering the Craft)
  • "Subject Pronoun and Verb" with Exercise Six: The Old Woman (in Steering the Craft)
  • "Point of View and Voice" with Exercise Seven: POV (in Steering the Craft)
  • "Changing Point of View" with Exercise Eight: Changing Voices (in Steering the Craft)
  • "Indirect Narration, or What Tells" with Exercise Nine: Telling It Slant (in Steering the Craft)
  • "Crowding and Leaping" with Exercise Ten: A Terrible Thing to Do (in Steering the Craft)


  • "The Space Crone" (1976) (in Dancing at the Edge of the World)
  • "Is Gender Necessary? Redux" (1976) (in Dancing at the Edge of the World)
  • "Moral and Ethical Implications of Family Planning" (1978) (in Dancing at the Edge of the World)
  • "It Was a Dark and Stormy Night" (1979) (in Dancing at the Edge of the World)
  • "Working on 'The Lathe'" (1979) (in Dancing at the Edge of the World)
  • "Some Thoughts on Narrative" (1980) (in Dancing at the Edge of the World)
  • "World-Making" (1981) (in Dancing at the Edge of the World)
  • "Hunger" (1981) (in Dancing at the Edge of the World)
  • "Place Names" (1981) (in Dancing at the Edge of the World)
  • "The Princess" (1982) (in Dancing at the Edge of the World)
  • "A Non-Euclidean View of California as a Cold Place to Be" (1982) (in Dancing at the Edge of the World)
  • "Facing It" (1982) (in Dancing at the Edge of the World)
  • "Reciprocity of Prose and Poetry" (1983) (in Dancing at the Edge of the World)
  • "A Left-Handed Commencement Address" (1983) (in Dancing at the Edge of the World)
  • "Along the Platte" (1983) (in Dancing at the Edge of the World)
  • "Whose Lathe?" (1984) (in Dancing at the Edge of the World)
  • "The Woman Without Answers" (1984) (in Dancing at the Edge of the World)
  • "The Second Report of the Shipwrecked Foreigner to the Kadanh of Derb" (1984) (in Dancing at the Edge of the World)
  • "Room 9, Car 1430" (1985) (in Dancing at the Edge of the World)
  • "Theodora" (1985) (in Dancing at the Edge of the World)
  • "Science Fiction and the Future" (1985) (in Dancing at the Edge of the World)
  • "The Only Good Author?" (1985) (in Dancing at the Edge of the World)
  • "Bryn Mawr Commencement Address" (1986) (in Dancing at the Edge of the World)
  • "Woman / Wilderness" (1986) (in Dancing at the Edge of the World)
  • "The Carrier Bag Theory of Fiction" (1986) (in Dancing at the Edge of the World)
  • "Heroes" (1986) (in Dancing at the Edge of the World)
  • "Prospects for Women in Writing" (1986) (in Dancing at the Edge of the World)
  • "Text, Silence, Performance" (1986) (in Dancing at the Edge of the World)
  • "Who is Responsible?" (1987) (in Dancing at the Edge of the World)
  • "Conflict" (1987) (in Dancing at the Edge of the World)
  • "Where Do You Get Your Ideas From?" (1987) (in Dancing at the Edge of the World)
  • "Over the Hills and a Great Way Off" (1988) (in Dancing at the Edge of the World)
  • "The Fisherwoman's Daughter" (1988) (in Dancing at the Edge of the World)

Collections