Annoying Plot Conventions, Devices, Contrivances: Difference between revisions

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(added link to Russ's Clichés from Outer Space)
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* using evolutionary biology or the selfish gene theory as the primary reason a male and female character are drawn together sexually (''Darwin's Radio'' by Bear), or why a female character cannot possibly resist the man's man that will make the best sire of her children (''Lucifer's Hammer'' by Niven)
* using evolutionary biology or the selfish gene theory as the primary reason a male and female character are drawn together sexually (''Darwin's Radio'' by Bear), or why a female character cannot possibly resist the man's man that will make the best sire of her children (''Lucifer's Hammer'' by Niven)


* perky secretaries that are more competent than any of the male authority figures but who are happy to remain assistants, though it's the year 2500 and in space...
* the competent female needs rescuing by the man


* innocent and universally loveable female characters that do not develop a sex drive or sex appeal until they turn evil (Doppleganger Willow from earlier in [[Buffy the Vampire Slayer]], Fred from [[Angel]]) - correlated with the amount of cleavage/leg shown.
* innocent and universally loveable female characters that do not develop a sex drive or sex appeal until they turn evil (Doppleganger Willow from earlier in [[Buffy the Vampire Slayer]], Fred from [[Angel]]) - correlated with the amount of cleavage/leg shown.

Revision as of 06:26, 13 July 2006

Plot Devices that Make You Roll Your Eyes

  • a woman character is raped or is in danger of being raped -- the eternal rapability of female characters
  • a female character dies in childbirth
  • "convenient" circumstances prevent a female character from going through with her decision to have an abortion (cf. Robin in V, whose alien hybrid fetus's invasive vascularisation made it impossible to remove without killing her; spontaneous miscarriages and so forth) -- therefore rendering women's reproductive choices inconsequent when that oh-so-controversial subject is broached
  • using female characters to voice misogynistic and/or patriarchal ideas because it would be "too obvious" to use male characters -- victim-blaming, in short
  • using evolutionary biology or the selfish gene theory as the primary reason a male and female character are drawn together sexually (Darwin's Radio by Bear), or why a female character cannot possibly resist the man's man that will make the best sire of her children (Lucifer's Hammer by Niven)
  • the competent female needs rescuing by the man
  • innocent and universally loveable female characters that do not develop a sex drive or sex appeal until they turn evil (Doppleganger Willow from earlier in Buffy the Vampire Slayer, Fred from Angel) - correlated with the amount of cleavage/leg shown.
  • alien women of ANY species will inevitably be irresistably attracted to the only mid-30s male on a particular starship (Star Trek, I'm looking at YOU) - even if it causes an interstellar incident
    • related: females of alien species always have extremely large breasts, located in the exact same location as those of human females (i.e. they look exactly like human women except for a charming set of pointy ears, forhead ridges or swirly haircut that serves only to make them more exotic to the male characters)


Contiguous lists and related rants

See also Archetypal & Stereotypical Female Characters in SF