Gertrude Franklin Atherton
Gertrude Franklin Horn Atherton (Oct. 30, 1857 - June 14, 1948) was a writer even as a young woman. Her writing was discouraged by her husband, George Atherton; after he died in 1887 she pursued writing and was mentored by Ambrose Bierce. She is most known for her historical works, particularly taking place in California, but wrote some works featuring supernatural or speculative elements.
Bibliography
- The Randolphs of Redwood (1882; published anonymously)
- What Dreams May Come (1888; first signed novel, published under pseudonym Frank Lin)
- "Death and the Woman" (1892; republished in The Bell in the Fog and Other Stories)
- "The Twins" (republished as "The Striding Place" in The Bell in the Fog and Other Stories)
- The Splendid, Idle Forties: Stories of Old California (1902) (historical California novel)
- The Bell in the Fog and Other Stories (1905 collection)
- "The Bell in the Fog" (1905) (supernatural)
- "The Striding Place"
- "The Dead and the Countess"
- "The Greatest Good of the Greatest Number"
- The Conqueror (1902) (fictionalized biography of Alexander Hamilton)
- Rezanov (1906)
- The White Morning (1918) (women's revolution)
- Black Oxen (1923) (woman regains her youth)
- The Foghorn (1934)
- "The Eternal Now"
- "The Striding Place"
- The Doomswoman: An Historical Romance of Old California
- The Living Present
- Senator North
- The Sisters-in-Law
- Sleeping Fires: A Novel
- The Valiant Runaways
- What Dreams May Come
- more than 55 books and many articles
Biographies
"INTRODUCTION
A long list of works Gertrude Atherton has to her credit as a writer. She is indisputably a woman of genius. Not that her genius is distinctively feminine, though she is in matters historical a passionate partisan. Most of the critics who approve her work agree that in the main she views life with somewhat of the masculine spirit of liberality. She is as much the realist as one can be who is saturated with the romance that is California, her birthplace and her home, if such a true cosmopolite as she can be said to have a home. In all she has written there is abounding life; her grasp of character is firm; her style has a warm, glowing plasticity, frequently a rhythm variously expressive of all the wide range of feeling which a writer must have to make his or her books living things. She does no less well in the depiction of men than in the portraiture of women. All stand out of their vivid environment distinctly and they are all personalities of power-- even, occasionally, of "that strong power called weakness." And they all wear something of a glory imparted to them by the sympathy of their creator and interpreter. High upon any roster of our best American writers we must enroll the name of Mrs. Atherton." William Marion Reedy, Introduction to Rezanov (1906); published at http://worldwideschool.org/library/books/lit/drama/Rezanov/Chap0.html
- Emily Wortis Leider, California's Daughter: Gertrude Atherton and Her Times (Stanford University Press, 1993)
- Jack G. Voller, "Gertrude Atherton." The Literary Gothic. 20 March 2005. 28 Feb. 2007. http://www.litgothic.com/Authors/atherton.html