Scholarship and criticism on Angela Carter

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Notice
This is not necessarily a "complete" bibliography of scholarship on this author. Rather, it is a selective bibliography of feminist SF scholarship, or scholarship of particular interest to feminist SF scholars.



Monographs


Criticism (articles and essays)

A-C

Harriet Blodgett.
  • "Fresh Iconography: Subversive Fantasy by Angela Carter." The Review of Contemporary Fiction v. 14 (Fall 1994): pp. 49-55.
Robert Clark.
  • "Angela Carter's Desire Machine," Women's Studies, v. 14, no. 2 (1987): pp. 147-161.

D-F

Scott A. Dimovitz.
  • "Cartesian Nuts: Rewriting the Platonic Androgyne in Angela Carter's Japanese Surrealism", FemSpec v.6, n.2 (2005), pp.15-31.
  • "Angela Carter's Narrative Chiasmus: The Infernal Desire Machines of Doctor Hoffman and The Passion of New Eve", Genre XLII (Spring/Summer 2009), pp.83-112. (available at the Regis College faculty archive)
  • "'I Was the Subject of the Sentence Written on the Mirror': Angela Carter's Short Fiction and the Unwriting of the Psychoanalytic Subject", Literature Interpretation Theory, v.21, pp.1-19 (2010) (available at the Regis College faculty archive)
"Angela Carter's brand of feminist fiction continues to trouble the margins of contemporary feminist discourse. This is especially true in America, where Carter cannot seem to attain the clear canonization she has had in Europe, and even the popular view of Carter in America depends upon a dramatic repression of the discordant parts of her body of work. This American Carter vacillates between two versions. The first persona is the domesticated mother goddess construction, inspire by the Marija Gimbutas branch of seventies feminism, which Carter herself despised for what she saw as its ahistoricizing tendencies. This persona depends almost solely upon her project of retelling traditional fairy tales in The Bloody Chamber, and it seems to be crystallized now by Penguin's choice to run the photo of Carter's hoary-headed self on the cover of its latest American edition. The second persona is a function of the exuberant, if ultimately pessimistic, trickster goddess of patriarchal capitulation offered in the later novels, Nights at the Circus and Wise Children. This latter construction coincides with a general post-Reagan/Thatcher-era post-feminism that attempts a series of endless "subversions" of patriarchy's paper tigers." (first paragraph)

G-J

Janet Garton.
  • "Little Red Riding Hood Comes of Age: Or, When the Fantastic Becomes the Feminist." in Essays in Memory of Michael Parkinson and Janine Dakyns (Christopher Smith, ed., & Mike Carr, fwd.) (Norwich: School of Mod. Lang. & European Studies, Univ. of East Anglia, 1996, viii, 390 pp.) (pp. 289-294). (discussing Angela Carter, "The Werewolf", "Red Riding Rood", Marta Tikkanen, Todlluvan (1986), "The Company of Wolves")
Michael Hardin.
  • "The Other Other: Self-Definition Outside Patriarchal Institutions in Angela Carter's Wise Children." The Review of Contemporary Fiction. v. 14 (Fall 1994): pp. 77-83.
Elyce Rae Helford.
  • "Sizing Up the Body: Body Size and Self-Image in Angela Carter's Nights at the Circus and Molly Keane's Good Behaviour." Feminist Graduate Student Conference ("Parallels and Intersections: Racism and Other Forms of Oppression"). Iowa City, IA; April 1989.


K-M

Brooks Landon.


N-Q

R-S

T-Z

Nicoletta Vallorani.
  • "The Body of the City: Angela Carter's The Passion of the New Eve." Science Fiction Studies v. 21 (November 1994), pages 365-379.

Conferences & Meetings

Special issues

  • Marvels & Tales, v.24, n.1 (2010): "Special Issue on the Fairy Tale After Angela Carter".

Memorials and Obituaries


Review of individual works

Bibliographies

  • "An Angela Carter Bibliography" by Joanne M. Gass

Documentaries, Films, etc.

  • "Angela Carter's Curious Room" (a 1992 BBC2 Omnibus documentary about Angela Carter)


Websites

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