Feminist SF studies by author (P)

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

PA

Paulina Palmer.

• Lesbian Gothic: Transgressive Fictions. New York: Cassell, 1999.

Donald Palumbo.

• Editor, Erotic Universe: Sexuality and Fantastic Literature. New York: Greenwood Press, 1986.
• Editor, Eros in the Mind's Eye: Sexuality and the Fantastic in Art and Film (Greenwood Press: 1986)
• "The Mechanical Egg: Sexual Mechanisms and Metaphors in SF Films" in The Mechanical God, edited by Dunn & Erlich (Greenwood Press).

Susan Palwick.

• "Recapitulating Phylogeny: A Roundabout Review of In the Chinks of the World Machine: Feminism and Science Fiction by Sarah Lefanu." New York Review of Science Fiction v. 1, no. 10 (#10) (June 1989), pp. 1, 8-9.

Vaerlie Paradiz

• Clever Maids: The Secret History of the Grimm Fairy Tales (the female tellers of the stories collected by the Grimm Brothers)

P. Parrinder.

• "The Alien Encounter: Or, Ms. Brown and Mrs. Le Guin." Science Fiction Studies Volume 3, Part 1. (1976). Reprinted in P. Parrinder (ed.) SF: A Critical Guide: London: Longman, 1979: pages 148-161.

Daphne Patai.

• "British and American Utopias by Women (1836-1979): Part I" in Alternative Futures (Spring / Summer 1981, pp. 184-206; a special Women's Issue)
• "Orwell's Despair, Burdekin's Hope: Gender and Power in Dystopia." Women's Studies International Forum v. 7, no. 2, pp. 85-95.
• "Utopia for Whom?" Aphra Volume 5 (Summer, 1974): pages 2-16.
• editor. Looking Backward: 1988-1888. Amherst: University of Massachusetts Press, 1988.

Vivian Patraka and Louise A. Tilly.

• Editors, Feminist Re-Visions: What Has Been and Might Be]]. Ann Arbor: Women's Studies Program, University of Michigan, 1983.

Jenny Pausacker.

• "Beyond the Invisible Barrier: Australian Women Writing Young Adult SF and Fantasy in 1996"

PE

Carol Pearson.

• "Women's Fantasies and Feminist Utopias." Frontiers: A Journal of Women Studies Volume 2, Number 3. (Fall 1977): pages 50-61.
• "Toward a New Language, Consciousness and Political Theory: The Utopian Novels of Dorothy Bryant, Mary Staton, and Marge Piercy," MLA Convention, San Francisco, December, 1979. Also: Heresies v. 4 n. 1 (13), (1981), pages 84-87.
• "Coming Home: Four Feminist Utopias and Patriarchal Experience" in Marleen S. Barr, editor, Future Females: A Critical Anthology (Bowling Green: Bowling Green State University Popular Press, 1981), pages 63-70. (Revision of "Women's Fantasies and Feminist Utopias," Frontiers 1977 Bibliography I.1500)

Carol Pearson and Katherine Pope.

• The Female Hero in American and British Literature. NY: Bowker, 1981.

Jacqueline Pearson.

• "Where No Man Has Gone Before: Sexual Politics and Women's Science Fiction" in Philip John Davies, editor, Science Fiction, Social Conflict and War (Manchester: Manchester University Press, 1990), pages 8-25.

Wendy Pearson.

• "Alien Cryptographies: The View from Queer." in Science Fiction Studies (March 1999 - special issue on sf & queer theory) Winner of SFRA's Pioneer Award for 1999 (10th annual award; awarded for "the one critical article in a year that does the most to advance SF criticism").

Ellen (Susan) Peel.

• "Utopian Feminism, Skeptical Feminism and Narrative Energy," in Feminism, Utopia and Narrative, edited by Libby Falk Jones & Sarah Webster Goodwin, Knoxville: University of Tennessee Press, 1990: pp. 34-49.
• Politics, Persuasion, and Pragmatism: A Rhetoric of Feminist Utopian Fiction (Ohio State Univ. Pr.: 2002; ISBN 0814209106) (272pp.)

Constance Penley; Elisabeth Lyon, Lynn Spiegel, and Janet Bergstrom, editors.

• Close Encounters: Film, Feminism, and Science Fiction. Minneapolis: University of Minnesota Press, 1991.

Alayne M. Peterson.

• "Riders of the New Wave: The Feminist Science Fiction of Le Guin, Russ, and Tiptree", in Womanhood in Anglophone Literary Culture: Nineteenth and Twentieth Century Perspectives, ed. by Robin Hammerman. Newcastle upon Tyne, England: Cambridge Scholars (2007).

PF - PI

Jean Pfaelzer.

• "Feminism as Ideology: Women in American Utopias, 1880 - 1900." Paper presented at the Annual Meeting of the Modern Language Association, San Francisco, 27 December 1979.
• "Women in American Utopias, 1880-1900: The Impact of Political Theories on Literary Forms." unpublished manuscript, 1979.
• "A State of One's Own: Feminism as Ideology in American Utopias, 1880-1915." Extrapolation, v. 24, no. 4 (Winter 1983): pp. 311-328.
• "The Changing of the Avant-Garde: The Feminist Utopia." Science Fiction Studies Volume 15 number 3 (November 1988): pages 282-294.

Julie Phillips.

• "Feminist Sci-Fi: A Brave New World." Ms. Volume 5, Number 3. (November / December 1994): pages 70-73.

Karsten H. Piep.

• "War as Feminist Utopia in Dorothy Canfield Fisher's Home Fires in France and Gertrude Atherton's The White Morning", Women's Studies: An Interdisciplinary Journal (March 2005), v.34, n.2, pp. 159-189.

Marge Piercy.

• "Active in Time and History" in Zinsser, William, editor, Paths of Resistance: The Art and Craft of the Political Novel. Boston: Houghton Mifflin, 1989. (ISBN 0-395-51426-6; pbk 0-395-51427-4)
• Foreword to Marleen S. Barr's Lost in Space: Probing Feminist Science Fiction and Beyond (1993).

Isabel Cristina Pinedo.

• Recreational Terror: Women and the Pleasures of Horror Film Viewing. Albany: State University of New York Press, 1997; ISBN 0791434427

PL - PU

Catherine Podojil.

• "Sisters, Daughters, and Aliens." Critical Encounters: Writers and Themes in Science Fiction, Dick Riley, editor. New York: Ungar, 1978: pp. 70-86.

Emily Pohl-Weary.

• Editor. Girls Who Bite Back: Witches, Mutants, Slayers and Freaks (Sumach Press) (includes "short fiction, cultural analysis, comics & original artwork"; gwbb website)

Mary Poovey.

• "'My Hideous Progeny': The Lady and the Monster," in Mary Shelley's Frankenstein, edited by Harold Bloom, New York: Chelsea House, 1987, Modern Critical Interpretations Series. pp. 81-106.

K. S. Purushothaman.

• "Decentering the Male: in Feminist Science Fiction", in New Waves in American Literature, ed. by A. A. Mutalik-Desai, V. K. Malhotra, T. S. Anand, and Prashant K. Sinha. New Delhi, India: Creative (1999).