Psychological ghost story: Difference between revisions
Jump to navigation
Jump to search
(full-text) |
(Oaks) |
||
| Line 19: | Line 19: | ||
; Modern examples / practitioners | ; Modern examples / practitioners | ||
* '''[[Daphne Du Maurier]]''' | * '''[[Daphne Du Maurier]]''' | ||
* '''[[Shirley Jackson]]''' | * '''[[M. K. Hobson]]''' ("Oaks Park") | ||
* '''[[Shirley Jackson]], ''[[The Haunting of Hill House]]''''' | |||
* '''[[Kit Reed]]''' ("Akbar") | |||
* '''[[Ekaterina Sedia]]''' ("Tin Cans") | |||
* '''[[Carolyn Turgeon]]''' ("La Llorona") | |||
* '''[[Sarah Waters]], ''[[Affinity]]''''' | * '''[[Sarah Waters]], ''[[Affinity]]''''' | ||
Revision as of 16:39, 22 December 2010
The psychological ghost story is a type of ghost story which is particularly told from the protagonist's point of view, and in a way that suggests the protagonist may be an unreliable narrator -- mad or deluded.
Perhaps one of the most famous examples is Charlotte Perkins Gilman's The Yellow Wallpaper (1892).
Other examples and writers include (women in bold):
- Charles Dickens, The Signalman (1866)
- Charlotte Perkins Gilman's The Yellow Wallpaper (1892)
- Henry James, The Turn of the Screw (1898)
- Oliver Onions, The Beckoning Fair One (1911) [1]
- Robert Aickman
- Walter De La Mare
- Olivia Howard Dunbar
- L.P. Hartley
- Violet Hunt
- Vernon Lee
- Edith Wharton
- Modern examples / practitioners
- Daphne Du Maurier
- M. K. Hobson ("Oaks Park")
- Shirley Jackson, The Haunting of Hill House
- Kit Reed ("Akbar")
- Ekaterina Sedia ("Tin Cans")
- Carolyn Turgeon ("La Llorona")
- Sarah Waters, Affinity
Further reading
- Ted Billy, "'Domesticated with the Horror': Matrimonial Mansions in Edith Wharton's Psychological Ghost Stories", Journal of American & Comparative Cultures, Volume 25, Issue 3-4, pages 433–437, September 2002 (full-text for sale from publisher)
- Jessica Amanda Salmonson, ["The Psychological Ghost Stories of Olivia Howard Dunbar" (abridged introduction to The Shell of Sense, a collection of Dunbar's short stories)