Underground railroads and related resistance

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Revision as of 21:34, 7 February 2008 by Lquilter (talk | contribs) (transcluding a section, maybe)
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Guide to oppressions & intersections in SF
Basics:

Classism
Racism
Nationalism, colonialism, xenophobia
Religious intolerance
Antisemitism
Sexism
Homophobia & heterosexism
Size & beauty standards
Disability & ableism
Ageism

Manifestations:

Institutionalized, systemic, structural
Unconscious
Conscious
Internalized
Power relations

Responses:

Activism: Antiracism, feminism, etc.
Consciousness-raising
Redress & affirmative action
Diversity & representation

SFnal treatments:

Race and feminist SF
Race-and-gender stereotypes in SF

See also:

Women of color in SF
Queer women in SF
Women Make SF

About the GOI


The underground railroad that people in the United States used to escape from slavery has been a model system for people working together to resist State oppression. SFnal representations of or references to underground railroads include:

Recommended





The novel is an English murder mystery, in particular a country-house mystery, akin to those of Agatha Christie, but set in an alternate 1940s England. In this timeline, England made peace with Hitler rather than continuing World War II. Germany is involved only in a one-front war with Russia, and has overrun the European Continent: Jews are being persecuted and murdered throughout Europe. In England, a creeping accommodation with fascism and anti-Semitism has overrun the country. Jews are perhaps more tolerated in Great Britain than in Europe, but their position is not strong.

The story follows the "Farthing set", the wealthy right-wing group of associates who negotiated the peace with Hitler. The man who was centrally responsible for the negotiated peace is murdered, and the circumstances appear to point toward Jews and revolutionaries, but Scotland Yard's detective feels the story is a little too pat. The murdered man is clearly based on Oswald Moseley, an historical British Nazi sympathizer.

The story is told primarily from two perspectives: Scotland Yard Inspector Peter Carmichael, who is homosexual, and Lucy Kahn, spoiled daughter of the Farthing set, who has married a Jewish man, to her family's dismay. A variety of characters are gay, Lesbian, or bisexual. Amusingly enough, the Farthing set calls gay people "Athenian" and bisexual people "Macedonian". Lucy Kahn turns out to have hidden depths, and an admirable ability to stand up to her family's values and expectations.

Recommended

A strong female protagonist confronts anti-Semitism, classism, fear, and oppression in an alternate history.

Reviews and commentary

Of interest